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Nestled in the over-the-mountain suburbia of Birmingham, Mountain Brook was originally hunting grounds for Creek, Choctaw, Cherokee, and Chickasaw Indians. First settled in the 1820s in the area called Shades Valley, it was not until 1926 that Robert Jemison Jr. began developing Mountain Brook Estates into its present form. Jemison had enormous vision honoring its natural beauty, and he hired regional planner and landscape architect Warren H. Manning of Boston to design a secluded residential community of handsome homes and amenities. Mountain Brook was incorporated in 1942 and experienced a resurgence of growth and expansion after World War II. The neighborhoods were designed to be anchored by villages as community centers for residents within walking distance. Still in touch with the vision and principles on which Robert Jemison founded Mountain Brook, its citizens enjoy the avant-garde villages full of restaurants, specialty gift shops, groceries, and parks, as well as its scenic natural landscape.
Slowly, a key turns in the lock, and the family closet is opened to the light of truth. As she matures, Sister must confront the secrets that have haunted her family and embrace the mother she had come to resent."--BOOK JACKET.
Your Travel Destination. Your Home. Your Home-To-Be. Birmingham Festivals. Architectural gems. Green spaces. Friendly faces. The Magic City. A special kind of place. • A personal, practical perspective for travelers and residents alike • Comprehensive listings of attractions, restaurants, and accommodations • How to live & thrive in the area—from recreation to relocation • Countless details on shopping, arts & entertainment, and children’s activities
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Vols. for 1896/97- include also 41st- (1st- biennial) report relating to the registry and returns of births, marriages, deaths and divorces in the state of Vermont, 1897-
Matthew J. Babcock's Private Fire: Robert Francis's Ecopoetry and Prose is an examination of the life and work of one of America's most intriguing but tragically obscure writers. Babcock uses his own personal relationship Robert Francis's work, which emphasizes conservation and connectedness to our natural surroundings, to illuminate both overtones and nuances that are undoubtedly useful to those interested in poetry and ecology. Babcock begins with a brief biographical section intended to set the tone for readers previously unfamiliar with Robert Francis and then continues into an analysis of the influence of Emily Dickinson and Robert Frost on Francis's work. Starting in Chapter Three, Pri...
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