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"MAY IS GOING FROM STRENGTH TO STRENGTH... A WONDERFUL EXHIBITION OF JUST HOW GOOD MAY CAN BE." --The Daily Mail "Five of us had run away that fateful night just over a month before. Only three of us would be going home. And nothing, nothing would ever be the same again." Glasgow, 1965. Headstrong teenager Jack Mackay has just one destination on his mind--London--and successfully convinces his four friends, and fellow bandmates, to join him in abandoning their homes to pursue a goal of musical stardom. Glasgow, 2015. Jack Mackay, heavy-hearted sixty-seven-year-old is still haunted by what might have been. His recollections of the terrible events that befell him and his friends some fifty years earlier, and how he did not act when it mattered most is a memory he has tried to escape his entire adult life. London, 2015. A man lies dead in a one-room flat. His killer looks on, remorseless. What started with five teenagers following a dream five decades before has been transformed over the intervening decades into a waking nightmare that might just consume them all.
There has been little attention to feminism and gender issues in mainstream philosophy of technology and vice versa. Since the beginning of the so-called »second wave feminism« (in the middle of the 20th century), there has been a growing awareness of the urgency of a critical reflection of technology and science within feminist discourse. But feminist thinkers have not consistently interpreted technology and science as emancipative and liberating for the feminist movement. Because technological development is mostly embedded in social, political, and economic systems that are patriarchally hierarchized, many feminists criticized the structures of dominance, marginalization and oppression inherent in numerous technologies. Therefore, the question of defining and ascribing responsibility in technics and science is essential for this anthology – regarding for instance the technological transformation of labor, the life in the information society, and the relationship between humans and machines.
Winifred Holtby was a prolific journalist and writer whose most famous work South Riding is on many university courses. She was an active campaigner for several progressive causes during the inter-war period such as pacifism, feminism and most important to her, racial equality and harmony in South Africa. She was the subject of Vera Britain's Testament of Friendship. She was essentially a 'woman in her time' and yet could also be seen as an index to many of the progressive movements which were around in the pre-war days and in this sense she was indeed a 'clear stream'. Written in a wonderfully accessible style interspersed with excellent research as well as warmth from one born in the same district as Winifred herself this is the definitive biography of a woman ahead of her time.
The letters between Vera Brittain, author of Testament of Youth, and Winifred Holtby, author of South Riding, tell the story of an extraordinary friendship 'Touching and inspiring' RACHEL COOKE, Observer 'Lively, perceptive' MIRANDA SEYMOUR, Literary Review 'A beautiful collection' DAISY DUNN, Sunday Times 'A moving unvarnished chronicle' Sarah Watling, Telegraph From the time when they met at Somerville College, Oxford, until Winifred's early death at the age of thirty-seven, they wrote constantly, encouraging and advising each other, even through periods as literary rivals as they negotiated envy and self-doubt. Vera decisively influenced Winifred's passion for feminism and peace and Winifred gave Vera crucial support, fiercely believing in her literary gifts. Their letters, written from 1920 to 1935, kept them 'continuously together'.
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