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'Charaiveti' (Vivekananda's Dialogue on People, Politics & Space)
Vivekananda had travelled within India as a 'parivrajaka' (the travelling monk) from 1888 to 1893 and in May 1893 crossed the 'kalapani' (crossing the inland water boundary) to represent India in the Parliament of World's Religion held in Chicago. This incident led to many more travels within India and the West. He was a traveller who left his impressions, views and observations in the form of letters, diaries and memoirs. A close study of such documents, as well as secondary materials, leads to questions of imperialism, identity, self-other dichotomy, comparative religion, women and acculturation.
Tales
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Stars in a Beautiful Night
The thing about life is that it thrives on the unexpected.Kiishi, a rising superstar who'd rather be anything but himself. Fumnanya, a girl who wants to disappear into a shell where the world wouldn't hurt her anymore.Two paths cross on a starry night on the edge of the water.What happens when two broken people keep interacting?Will they heal and complete each other or will their ripped edges injure beyond repair?
Dark Holds No Terrors
Why are you still alive-why didn't you die?' Years on, Sarita still remembers her mother's bitter words uttered when as a little girl she was unable to save her younger brother from drowning. Now, her mother is dead and Sarita returns to the family home, ostensibly to take care of her father, but in reality to escape the nightmarish brutality her husband inflicts on her every night. In the quiet of her old father's company Sarita reflects on the events of her life: her stultifying small town childhood, her domineering mother, her marriage to the charismatic young poet Mahohar.
Europe's First Farmers
Essays by leading specialists on a central issue of European history: the transition to farming.
The Collector's Wife
This is the story of Rukmini who is married to the District Collector of a small town in Assam, and teaches English literature in the local college. On the surface, her life is settled and safe in the big, beautiful bungalow on the hill above the cremation ground, seemingly untouched by the toil and sufferings of the common folk living 'below'. And yet, each time there is an 'incident' in the district, the fear and uncertainty that grips the town finds a reflection in her own life. Assam is in the grip of insurgency and it is this thread that runs like a dark river through the novel and forms its backdrop.
Museums, Ethics and Cultural Heritage
This volume provides an unparalleled exploration of ethics and museum practice, considering the controversies and debates which surround key issues such as provenance, ownership, cultural identity, environmental sustainability and social engagement. Using a variety of case studies which reflect the internal realities and daily activities of museums as they address these issues, from exhibition content and museum research to education, accountability and new technologies, Museums, Ethics and Cultural Heritage enables a greater understanding of the role of museums as complex and multifaceted institutions of cultural production, identity-formation and heritage preservation. Benefitting from ICOM’s unique position in the museum world, this collection brings a global range of academics and professionals together to examine museums ethics from multiple perspectives. Providing a more complete picture of the diverse activities now carried out by museums, Museums, Ethics and Cultural Heritage will appeal to practitioners, academics and students alike.
Cultural Capital
"Since its initial publication in 1993, John Guillory's Cultural Capital has been a signal text for understanding the compilation and codification of what was once known, unassailably, as the literary canon. Cultural Capital challenges the putative objectivity of aesthetic judgment and exposes the unequal distribution of symbolic and literary knowledge on which "culture" had long been based. Now, as the "crisis of the canon" has evolved into the "crisis of humanities," Guillory's groundbreaking, incisive work has never been more relevant and urgent. As scholar and critic Merve Emre writes in her introduction to this new edition: "Exclusion, selection, reflection, representation-these are the terms on which the canon wars of the last century were fought, and the terms that continue to inform debates about, for instance, decolonizing the curriculum and the rhetoric of antiracist pedagogy.""--
