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Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
Nexus Review: International Journal of Multidisciplinary Studies
Nexus Review: An International Peer-Reviewed Journal of Multidisciplinary Studies, published by Writers Capital International Foundation, is an integral part of the Global Nexus Series of International Conferences. This journal serves as a premier platform for publishing innovative and thought-provoking research across diverse academic disciplines, reflecting the foundation's commitment to fostering intellectual growth and cross-disciplinary dialogue. Aligned with the vision of the Global Nexus Series, the journal bridges the gap between academia and creative arts, amplifying voices that contribute to societal progress and addressing critical issues confronting humanity. Through its meticulous peer-review process and global reach, Nexus Review continues to inspire transformative ideas and advance the values of knowledge and humanity.
African Guerrillas
Analyses African insurgencies and their relationship to the societies in which they are set and to the outside world.
Encountering Islam
This volume seeks to introduce and deepen the understanding of Islam and its role in politics as encountered in different national and transnational contexts in Southeast Asia, eschewing the neo-orientalist approach that has informed public discourse in recent years. In Encountering Islam, the book lingers beyond the summary moment and reflects on the multiple impressions, suppressions and repressions, whether coherent or incoherent, associated with Islam as a socio-political force in public life. To this end, it is not adequate simply to represent the divergent identities associated with Islam in Southeast Asia, whether embedded in state-endorsed orthodoxy or Islamic movements that contest such orthodoxy. It is also important to examine religious minorities in political contexts where Islam is dominant and Muslim communities in national contexts where they are minorities. By situating these religious identities within their larger socio-political contexts, this volume seeks to provide a more holistic understanding of what is encountered as Islam in Southeast Asia.
Muqarnas
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Warlord
What is Warlord An man who exercises military, economic, and political authority over a territory, typically within a country that does not have a strong national government, is referred to as a warlord. This power is typically exercised by informal or illegal forceful control over the local armed forces. Warlords have been there for a significant portion of history, but in a number of diverse capacities within the political, economic, and social framework of nations or regions that are not administered by a central authority. The phrase is frequently used in the context of China during the Warlord Era, particularly during the time period that corresponds to the end of the Qing Dynasty. It i...
The Life of the Sudanese Mahdi
The Mahdia was an important Islamic millenarian movement of the Nilotic Sudan in the last two decades of the nineteenth century. It contributed substantially to the emergence of the Sudan as a nation-state in the twentieth century. The Mahdi's family and heritage played a major political and cultural role in the Sudan, both before and after independence. This volume begins with introductory material on the Mahdia and a biographical sketch of the author of the sira, followed by discussion of composition, acquisition, sources, and literary features of the account. The text itself presents a condensed paraphrase of the account while retaining the spirit of the original document. It pays special attention to preserving historical events. Appendixes include full transcriptions of the main source materials for the biography, two photographic reproductions of the handwriting of the original Arabic manuscripts, and an annotated list of the Mahdist proclamations and letters transcribed in the original Arabic text of the sira.
Ottoman-Southeast Asian Relations (2 vols.)
Ottoman-Southeast Asian Relations: Sources from the Ottoman Archives, is a product of meticulous study of İsmail Hakkı Kadı, A.C.S. Peacock and other contributors on historical documents from the Ottoman archives. The work contains documents in Ottoman-Turkish, Malay, Arabic, French, English, Tausug, Burmese and Thai languages, each introduced by an expert in the language and history of the related country. The work contains documents hitherto unknown to historians as well as others that have been unearthed before but remained confined to the use of limited scholars who had access to the Ottoman archives. The resources published in this study show that the Ottoman Empire was an active actor within the context of Southeast Asian experience with Western colonialism. The fact that the extensive literature on this experience made limited use of Ottoman source materials indicates the crucial importance of this publication for future innovative research in the field. Contributors are: Giancarlo Casale, Annabel Teh Gallop, Rıfat Günalan, Patricia Herbert, Jana Igunma, Midori Kawashima, Abraham Sakili and Michael Talbot
Prefacing the Image
This book studies developments in art historical writing and factors which shaped the album preface. The prefaces were written in Persian between ca. 1491 and 1609 to introduce albums of calligraphy, painting, and drawing assembled for Safavid rulers and courtiers. Approaches to the study of these sources are examined, followed by an analysis of the sociohistorical court-centered context; the circumstances of the texts' composition, reception, and literary dimensions; and their art historical formation and content. It ends with an interpretation of calligrapher Dust Muhammad's preface and his conceptualization of a history and aesthetics of depiction. The book is the first to study the prefaces collectively and in relationship to other cultural practices. It also draws on a wide variety of additional primary sources. It includes forty illustrations and several tables.
