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Logotherapy
Written as a tribute to family, place, and bodily awareness, Mukoma Wa Ngugi's poems speak of love, war, violence, language, immigration, and exile. From a baby girl's penchant for her parents' keys to a warrior's hunt for words, Wa Ngugi's poems move back and forth between the personal and the political. In the frozen tundra of Wisconsin, the biting winds of Boston, and the heat of Nairobi, Wa Ngugi is always mindful of his physical experience of the environment. Ultimately it is among multiple homes, nations, and identities that he finds an uneasy peace.
Hurling Words at Consciousness
While treating the reader to an expansive range of themes - death, war, life, love, nature, human relationships, personal reflections, art, politics, history, social justice, revolution - Mukoma wa Ngugi also succeeds in making a deeply profound artistic statement. He decorates his intensely reflective utterance with a lacework of images, metaphors and other forms of figurative expression that reveal a keen artist at his craft.
Mrs. Shaw
In the fictional East African Kwatee Republic of the 1990s, the dictatorship is about to fall, and the nation’s exiles are preparing to return. One of these exiles, a young man named Kalumba, is a graduate student in the United States, where he encounters Mrs. Shaw, a professor emerita and former British settler who fled Kwatee’s postcolonial political and social turmoil. Kalumba’s girlfriend, too, is an exile: a Puerto Rican nationalist like her imprisoned father, she is an outcast from the island. Brought together by a history of violence and betrayals, all three are seeking a way of regaining their humanity, connecting with each other, and learning to make a life in a new land. Kalumba and Mrs. Shaw, in particular, are linked by a past rooted in colonial and postcolonial violence, yet they are separated by their differing accounts of what really happened. The memory of each is subject to certain lapses, whether selective or genuine. Even when they agree on the facts—be they acts of love, of betrayal, or of violence—each narrator shapes the story in his or her own way, by what is left in and what is left out, by what is remembered and what is forgotten.
The Perfect Nine
*LONGLISTED FOR THE 2021 INTERNATIONAL BOOKER PRIZE.* 'One of the greatest writers of our time' Chimamanda Ngozi Adichie The Perfect Nine is a glorious epic about the founding of Kenya's Gikuyu people and the ideals of beauty, courage and unity. Gikuyu and Mumbi settled on the peaceful and bounteous foot of Mount Kenya after fleeing war and hunger. When ninety-nine suitors arrive on their land, seeking to marry their famously beautiful daughters, called The Perfect Nine, the parents ask their daughters to choose for themselves, but to choose wisely. First the young women must embark on a treacherous quest with the suitors, to find a magical cure for their youngest sister, Warigia, who cannot...
The Fall of Saints
In this “taut, smart international thriller” (Tananarive Due, American Book Award winner), a Kenyan expat finds her American dream marred by child trafficking, scandal, and a problematic past that will force an end to her life of privilege. Mugure and Zack seem to have the picture-perfect family: a young, healthy son, a beautiful home in Riverdale, New York, and a bright future. But one night, as Mugure is rummaging through an old drawer, she comes across a piece of paper with a note scrawled on it—a note that calls into question everything she’s ever believed about her husband… A wandering curiosity may have gotten the best of Mugure this time as she heads down a dangerous road th...
Dreams in a Time of War
In this book, the author paints a mesmerising portrait of a young boy's experiences in an African nation in flux.
The Eternal Audience of One
"Reminiscent of Zadie Smith and Michael Chabon, this "gorgeous, wildly funny and, above all, profoundly moving and humane" (Peter Orner, author of Am I Alone Here) coming-of-age tale follows a young man who is forced to flee his homeland of Rwanda during the Civil War and make sense of his reality"--
Brave New Words
Fifteen specially commissioned essays from distinguished authors explore the place of the writer, past and present, the value of critical thinking, and the power of the written word. Their work articulates 'brave new words' at the heart of battles against limitations on fundamental rights of citizenship, the closure of national borders, fake news, and an increasing reluctance to engage with critical democratic debate. Contributors include Eva Hoffman, Romesh Gunesekera, Githa Hariharan, James Kelman, Tabish Khair, Kei Miller, Blake Morrison, Mukoma wa Ngugi, Hsiao-Hung Pai, Olumide Popoola, Shivanee Ramlochan, Bina Shah, Raja Shehadeh and Marina Warner.
Decolonising the Mind
Ngugi wrote his first novels and plays in English but was determined, even before his detention without trial in 1978, to move to writing in Gikuyu.
Weep Not, Child
"Two small boys stand on a rubbish heap and look into the future. One boy is excited, he is beginning school; the other, his brother, is an apprentice carpetner. Together, they will serve their country--the teacher and the craftsman. But this is Kenya and times are against them. In the forests, the Mau Mau are waging war against the white government, and two brothers, Njoroge and Kamau, and the rest of their family, need to decide where their loyalties lie. For the practical man, the choice is simple, but for Njoroge, the scholar, the dream of progress through learning is a hard one to give up"--P. [4] of cover.
