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Victorious Wives
"In Victorious Wives, Mulaika Hijjas uses tools drawn from literary criticism and gender studies to look at a previously neglected corpus of Malay literature in a new light. The syair of the Riau Archipelago that are the basis of this book, six nineteenth-century Malay narrative poems, are a unique exception in that they allow access to women's imaginative worlds, and they provide a significant historical backdrop to anthropological accounts of gender in the Malay world in modern times."--P. [4] of cover.
Sovereign Women in a Muslim Kingdom
The Islamic kingdom of Aceh was ruled by queens for half of the 17th century. Was female rule an aberration? Unnatural? A violation of nature, comparable to hens instead of roosters crowing at dawn? Indigenous texts and European sources offer different evaluations. Drawing on both sets of sources, this book shows that female rule was legitimised both by Islam and adat (indigenous customary laws), and provides original insights on the Sultanah's leadership, their relations with male elites, and their encounters with European envoys who visited their court. The book challenges received views on kingship in the Malay world and the response of indigenous polities to east-west encounters in Southeast Asia's Age of Commerce.
Banishment and Belonging
A ground-breaking exploration of exile and diaspora as they relate to place, language, religious tradition, literature and the imagination.
The Neglected Dimension
The Neglected Dimension offers an insight into a moment in Southeast Asian modern art when a group of artists from the city of Bandung, Indonesia reimagined Arabic calligraphic writing. At the heart of this effort was an art school at Institut Teknologi Bandung (ITB), which stood at the forefront of experimentations with forms of Islamic spirituality and abstraction. Four artists are featured in this exhibition: Ahmad Sadali (1924–1987), A.D. Pirous (b. 1932), Haryadi Suadi (1938–2016) and Arahmaiani (b. 1962). They represent three generations of artistic training at ITB, as well as distinct approaches to calligraphic abstraction that reflect changing values, identities and conventions in Indonesia from the 1970s to the present. Together, their works highlight how they interacted with global conventions in modern art, evolving ideas around Islamic spirituality, feminist activism and the experience of being Muslim in Indonesia.
Magic and Divination in Malay Illustrated Manuscripts
This book offers an integrated study of the texts and images of illustrated Malay manuscripts on magic and divination from private and public collections in Malaysia, the UK and Indonesia. Containing some of the rare examples of Malay painting, these manuscripts provide direct evidence for the intercultural connections between the Malay region, other parts of Southeast Asia and the rest of the world. In this richly illustrated volume many images and texts are gathered for the first time, making this book essential reading for all those interested in the practice of magic and divination, and the history of Malay, Southeast Asian and Islamic manuscript art.
The Politics of Islamic Law
In "The Politics of Islamic Law" political scientist Iza Hussin offers a genealogy of contemporary Islamic law, a political analysis of elite negotiations over religion, state, and society in the British colonial period, and a history of current Muslim approaches to law, state, and identity. Hussin argues that Islamic law as it is legislated and debated throughout the Muslim world today is no longer the "shari ah" as it previously existed. She shows that shari ah an uncodified and locally administered set of legal institutions and laws with wide-ranging jurisdiction was transformed (not eradicated as some have argued) during the British colonial period into a codified, state-centered system ...
Queering Normativity and South Asian Public Culture
This book develops a queer methodology to analyse a queer archive for the impact of normativity on subjecthood and the ways in which it shapes and curtails gender and sexuality. Chapters demonstrate how normativity functions to mask its own operation, is internalised by subjects, and is continually reproduced through discourse and in material ways. In seeking to make visible the functioning of normativity, the book performs a task of queering normativity by querying that which appears as natural in South Asian public culture. The book engages with both the consolidation and the unsettling of normativity through artefacts of South Asian public culture including canonical figures such as Rabin...
Cosmopolitan Intimacies
The golden age of Malay film in the 1950s and 1960s was the product of a musical and cultural cosmopolitanism in the service of a nation-making process based on ideas of Malay ethnonationalism, initially fluid, increasingly homogenised over time. The commercial films of the period, and in particular their film music, from national cultural icons P. Ramlee and Zubir Said, remain important reference points for Malaysia and Singapore to this day. This is the first in-depth study of the film music of the period. It brings together ethnomusicological and cultural studies perspectives. Written in an engaging manner, thoroughly illustrated and incorporating musical scores, the book will appeal to dedicated film fans, musicians, composers and film-makers interested in Southeast Asia and the Malay world. But equally, the conceptual framework will be of interest to a broad range of scholars of Southeast Asia, as it brings together ideas of cosmopolitanism and cultural intimacy to narrate a history of nation-making in the region.
Malay-Indonesian Islamic Studies
This volume is a collection of essays on transregional aspects of Malay-Indonesian Islam and Islamic Studies, based on Peter G. Riddell’s broad interest and expertise.
Taming Babel
Through a study of Malaysia, Taming Babel examines how empires and postcolonial nation-states struggle to govern multilingual and polyglot subjects.
