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Who Am I?
Who Am I? is the bittersweet memoir of a Chinese American who came to this country as a twenty-year-old graduate student and stayed to become one of America’s most innovative intellectuals, whose work has explored the aesthetic and moral dimensions of human relations with landscape, nature, and environment. This unusually introspective autobiography mixes Yi-Fu Tuan’s reflections on a life filled with recognition, accolades, and affection with what he deems moral failings, his lack of courage—including the courage to be open about his homosexuality.
The Fortune Teller
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The Architects of International Relations
Based on extensive archival research, this book provides a new and stimulating history of International Relations (IR) as an academic discipline. Contrary to traditional accounts, it argues that IR was not invented by Anglo-American men after the First World War. Nor was it divided into neat theoretical camps. To appreciate the twists and turns of early IR scholarship, the book follows a diverse group of men and women from across Europe and beyond who pioneered the field since 1914. Like architects, they built a set of institutions (university departments, journals, libraries, etc.) but they also designed plans for a new world order (draft treaties, petitions, political commentary, etc.). To achieve these goals, they interacted closely with the League of Nations and its bodies for intellectual cooperation, until the Second World War put an end to their endeavour. Their story raises broader questions about the status of IR well beyond the inter-war period.
Dystopia
Dystopia: A Natural History is the first monograph devoted to the concept of dystopia. Taking the term to encompass both a literary tradition of satirical works, mostly on totalitarianism, as well as real despotisms and societies in a state of disastrous collapse, this volume redefines thecentral concepts and the chronology of the genre and offers a paradigm-shifting understanding of the subject.Part One assesses the theory and prehistory of "dystopia". By contrast to utopia, conceived as promoting an ideal of friendship defined as "enhanced sociability", dystopia is defined by estrangement, fear, and the proliferation of "enemy" categories. A "natural history" of dystopia thus concentratesu...
