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A comprehensive and lavishly illustrated monograph of one of the most important American ceramic artists
This groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture. Ceramic objects form a major part of museum collections, with connections to anthropology, archaeology and other disciplines that engage with the cultural and social history of humankind. In recent years museums have provided the impetus for cutting-edge artistic practice, either as a response to particular collections, or as part of exhibitions. But the question of how museums have staged contemporary ceramics and how ceramic artists respond to museum collections has not been the subject of published research to date. This book exa...
Most people would be surprised at how ceramics are used, from creating cellular phones, radio, television, and lasers to its role in medicine for cancer treatments and restoring hearing. The Magic of Ceramics introduces the nontechnical reader to the many exciting applications of ceramics, describing how ceramic material functions, while teaching key scientific concepts like atomic structure, color, and the electromagnetic spectrum. With many illustrations from corporations on the ways in which ceramics make advanced products possible, the Second Edition also addresses the newest areas in ceramics, such as nanotechnology.
This book is the fascinating story of the company and the people who produced Glidden pottery. The first section of the book tells about the history of the company, the important designers who worked there, and the wonderful designs they created. The second section of the book contains a richly-illustrated catalog of Glidden pottery. The photo illustrations show the patterns and shapes produced by the company, arranged by number, at a level of detail never before available. The information from this book was a major part of the research for the 2001 Glidden exhibition at the Schein-Joseph International Museum of Ceramic Art, Alfred, NY, which was organized by director Margaret Carney, Ph.D.
Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes.
This lovely book presents essays and recent works in porcelain by Brother Thomas Bezanson, praised as "one of the greatest artists in the Western pottery world" by well-known Japanese ceramicist Tatsuzo Shimaoka. Brother Thomas explores his faith and the process of creation side by side with illustrations of the celebrated porcelain vases, plates, and tea bowls that are his life's work. The book also contains a nineteen-page photo essay on Brother Thomas at work in his studio by Bill Aron of Los Angeles, an introduction by Joan Chittister, and an illustrated index of the works of Brother Thomas now held in more than fifty museum collections around the world.
Exhibition catalog for exhibition 9/10/11/20/2015 at Alfred Ceramic Art Museum. 22 essays pertaining to women pioneers in American ceramics
Mastering Hand Building teaches everything you need to know about building with clay by hand, from the basics of coils and slabs through more complex form design.
From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture and the paintings of Bonnard, Picasso and Matisse, while also introducing innovations in both style and technique. In particular, her way of combining ceramics and painting shows a painterly sensibility that in recent years has played a key role in the development of her work. This publication focuses on work made over the past ten years, while taking stock of Woodman's continued relevance to contemporary art and her importance among postwar artists.
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.