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Musée Fabre
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French Paintings from the Musée Fabre, Montpellier
This volume featuring the collection of the Musee Fabre spans three centuries and includes works by 55 of the greatest French painters including Nicolas Poussin, Jaques-Louis David, Eugene Delacroix, Edgar Degas, Alfred Sisley, Frederic Bazille, and Gustav Courbet. An exceptional array of iconic paintings covers all artistic movements from 1600 to 1900, including Baroque, Rococo, Neoclassicism, Romanticism, Realism, and Impressionism. The painters represented worked in every genre, from portraiture, religious and mythological subjects, and landscapes to still lifes. The volume provides a comprehensive overview of French art, following its evolution from the highly sophisticated and classical...
Bonjour, Monsieur Courbet!
02 Gustave Courbet’s 1854 painting The Meeting (also known as Bonjour, Monsieur Courbet!) depicts his greatest patron, Alfred Bruyas (1821-1877), welcoming the artist to his hometown of Montpellier, in the south of France. As one of the foremost collectors of contemporary art in France, Bruyas’s tastes ranged from romanticism to realism, and he collected both traditional and what was then avant-garde art. This beautifully illustrated book features ninety-four works from Bruyas’s celebrated collection, including nine masterpieces by Courbet as well as important paintings, drawings, and sculptures by such leading French artists of the period as Delacroix, Ingres, Géricault, Millet, Coro...
Catalogue Des Peintures Et Sculptures Exposées Dans Les Galeries Du Musée Fabre de la Ville de Montpellier
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
