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National Union Catalog
Includes entries for maps and atlases.
The Museum Establishment and Contemporary Art
This book provides an in-depth account of the protests that shook France in 1968 and which served as a catalyst to a radical reconsideration of artistic practice that has shaped both art and museum exhibitions up to the present. Rebecca DeRoo examines how issues of historical and personal memory, the separation of public and private domains, and the ordinary objects of everyday life emerged as central concerns for museums and for artists, as both struggled to respond to the protests. She argues that the responses of the museums were only partially faithful to the aims of the activist movements. Museums, in fact, often misunderstood and misrepresented the work of artists that was exhibited as a means of addressing these concerns. Analyzing how museums and critics did and did not address the aims of the protests, DeRoo highlights the issues relevant to the politics of the public display of art that have been central to artistic representation, in France as well as in North America.
Ol' Man River
This volume contains the selected proceedings of a multidisciplinary conference (Ghent, 2006), which stimulated looking at landscape evolution from the times of early human involvement in nature to much more recent historical developments.
Proceedings of the 4th International Congress of the Archaeology of the Ancient Near East, 29 March - 3 April 2004, Freie Universität Berlin: The reconstruction of environment : natural resources and human interrelations through time ; art history : visual communication
The Congress hosted 611 registered participants from 38 countries. Its aim was to be an international forum for scholars and demands of Near Eastern Archaeology. From the four sections of the Congress, Vol. I: 1) The Reconstruction of Environment. Natural Resources and Human Interrelation through Time, 2) Visual Communication, [Vol. II: 3) Social and Cultural Transformation: The Archaeology of Transitional Periods and Dark Ages, 4) Archaeological Field Reports (Excavations, Surveys, Conservation) ISBN 978344705757-8].Together these volumes unite 77 contributions on about 1100 pages. They are arranged according to the sections. The rst three will be introduced by the key lectures which were given by Tony Wilkinson, Winfried Orthmann, and Roger Matthews. The resumes of these sections were provided by Wendy Matthews, Dominik Bonatz, and Diederik J.W. Meijer. The contributions cover many aspects of the main themes through time, from the Neolithic to the Hellenistic / Roman period, and offer interdisciplinary approaches to complex archaeological problems.
National Visions, National Blindness
In the early decades of the twentieth century, the visual arts were considered central to the formation of a distinct national identity, and the Group of Seven's landscapes became part of a larger program to unify the nation and assert its uniqueness. This book traces the development of this program and illuminates its conflicted history. Leslie Dawn problematizes conventional perceptions of the Group as a national school and underscores the contradictions inherent in international exhibitions showing unpeopled landscapes alongside Northwest Coast Native arts and the "Indian" paintings of Langdon Kihn and Emily Carr. Dawn examines how this dichotomy forced a re-evaluation of the place of First Nations in both Canadian art and nationalism.
