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The Congress hosted 611 registered participants from 38 countries. Its aim was to be an international forum for scholars and demands of Near Eastern Archaeology. From the four sections of the Congress, Vol. I: 1) The Reconstruction of Environment. Natural Resources and Human Interrelation through Time, 2) Visual Communication, [Vol. II: 3) Social and Cultural Transformation: The Archaeology of Transitional Periods and Dark Ages, 4) Archaeological Field Reports (Excavations, Surveys, Conservation) ISBN 978344705757-8].Together these volumes unite 77 contributions on about 1100 pages. They are arranged according to the sections. The rst three will be introduced by the key lectures which were given by Tony Wilkinson, Winfried Orthmann, and Roger Matthews. The resumes of these sections were provided by Wendy Matthews, Dominik Bonatz, and Diederik J.W. Meijer. The contributions cover many aspects of the main themes through time, from the Neolithic to the Hellenistic / Roman period, and offer interdisciplinary approaches to complex archaeological problems.
Walls of the Prince offers a series of articles that explore Egyptian interactions with Southwest Asia during the second and first millennium BCE, including long-distance trade in the Middle Kingdom, the itinerary of Thutmose III’s great Syrian campaign, the Amman Airport structure, anthropoid coffins at Tell el-Yahudiya, Egypt’s relations with Israel in the age of Solomon, Nile perch and other trade with the southern Levant and Transjordan in the Iron Age, Saite strategy at Mezad Hashavyahu, and the concept of resident alien in Late Period Egypt. These are complemented by methodological and typological studies of data from the archaeological investigations at Tell al-Maskhuta, the Wadi Tumilat, and Mendes in the eastern Nile delta. Together, they reflect the diverse range of Professor Holladay’s long and distinguished scholarly career.
This book presents the fourth volume of excavations of a Late Antique house in central Jordan, with a detailed study of its construction and contents including its mosaic floors, pottery, coins, inscribed lamps in Greek and Arabic as an example of material culture during a period of cultural change; includes multimedia [data]images] on DVD.
In the early decades of the twentieth century, the visual arts were considered central to the formation of a distinct national identity, and the Group of Seven's landscapes became part of a larger program to unify the nation and assert its uniqueness. This book traces the development of this program and illuminates its conflicted history. Leslie Dawn problematizes conventional perceptions of the Group as a national school and underscores the contradictions inherent in international exhibitions showing unpeopled landscapes alongside Northwest Coast Native arts and the "Indian" paintings of Langdon Kihn and Emily Carr. Dawn examines how this dichotomy forced a re-evaluation of the place of First Nations in both Canadian art and nationalism.