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Corot
  • Language: en
  • Pages: 497

Corot

Published to accompany a major exhibition of Jean-Baptiste-Camille Corot's paintings held in Paris and Ottawa during 1996, and forthcoming to New York. From nearly 3,000 paintings by this poetic 19th-century artist, the curators chose 163 works, which are reproduced here along with full art-historical discussions of each. Three major essays chronicle Corot's life and the development of his art; additional essays elucidate the subject of forgeries and describe the collecting of his works. Much original new scholarship is included along with a review of the scholarly literature, a concordance, and a chronology. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR

A Bibliography for the Study of French Literature and Culture Since 1885
  • Language: en
  • Pages: 317
Musée Paul Valéry
  • Language: fr
  • Pages: 16

Musée Paul Valéry

  • Type: Book
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  • Published: 1972
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  • Publisher: Unknown

None

National Union Catalog
  • Language: en
  • Pages: 1032

National Union Catalog

  • Type: Book
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  • Published: 1979
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  • Publisher: Unknown

None

From Rodin to Giacometti
  • Language: en
  • Pages: 244

From Rodin to Giacometti

  • Type: Book
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  • Published: 2021-09-06
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  • Publisher: BRILL

This book is a collection of papers delivered at an international conference in September 1996 at the Scottish National Gallery of Modern Art during a major Giacometti retrospective. The contributors are leading curators, art historians and literature specialists. While the relationship between nineteenth- and twentieth-century painters and writers has been the subject of intense interest in recent years, the parallel relationship between sculptors and writers has been largely neglected. These essays seek to redress the balance by looking at a variety of ways in which the conventional barriers between writing and sculpting were broken down by such pioneering figures as Rodin, Degas, Bourdell...

The city trip guide for Sète (France)
  • Language: en
  • Pages: 78

The city trip guide for Sète (France)

None

Groupe Montpellier-Sète
  • Language: fr
  • Pages: 17

Groupe Montpellier-Sète

  • Type: Book
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  • Published: 1972
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  • Publisher: Unknown

None

The Reclining Nude
  • Language: en
  • Pages: 256

The Reclining Nude

  • Categories: Art
  • Type: Book
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  • Published: 2019
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  • Publisher: Unknown

This book, a sensuous evocation of images of the reclining nude, claims a female-identified pleasure in looking. Agnès Varda, Catherine Breillat, and Nan Goldin are re-imagining images of female beauty, display, (auto)eroticism, and intimacy. The reclining nude is compelling, for female-identified artists in the ethically adventurous, politically complex feminist issues it engages.

Gaps and the Creation of Ideas
  • Language: en
  • Pages: 815

Gaps and the Creation of Ideas

Gaps and the Creation of Ideas: An Artist’s Book is a portrait of the space between things, whether they be neurons, quotations, comic-book frames, or fragments in a collage. This twenty-year project is an artist’s book that juxtaposes quotations and images from hundreds of artists and writers with the author’s own thoughts. Using Adobe InDesign® for composition and layout, the author has structured the book to show analogies among disparate texts and images. There have always been gaps, but a focus on the space between things is virtually synonymous with modernity. Often characterized as a break, modernity is a story of gaps. Around 1900, many independent strands of gap thought and experience interacted and interwove more intricately. Atoms, textiles, theories, women, Jews, collage, poetry, patchwork, and music figure prominently in these strands. The gap is a ubiquitous phenomenon that crosses the boundaries of neuroscience, rabbinic thinking, modern literary criticism, art, popular culture, and the structure of matter. This book explores many subjects, but it is ultimately a work of art.

International Directory of Art Libraries
  • Language: en
  • Pages: 268

International Directory of Art Libraries

The International Federation of Library Associations and Institutions (IFLA) is the leading international body representing the interests of library and information services and their users. It is the global voice of the information profession. The series IFLA Publications deals with many of the means through which libraries, information centres, and information professionals worldwide can formulate their goals, exert their influence as a group, protect their interests, and find solutions to global problems.