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SHE HAS AN OPEN FUTURE Gladys moves to live with an estranged aunt in Lagos and to continue her search for a job. Before long she lands the job of her dreams with the foremost oil company in the city and makes several new friends. She also gradually resolves the mystery of why her aunt previously cut all ties with their family. But the best part about her new life is meeting Edward Bestman. HE HAS A CLOSED PAST Edward is good-looking, super rich but emotionally scarred. Gladys gets him to see that she loves him and that together they can surmount all their differences. However, when they return from a romantic trip abroad, they find that some unnamed people are about to take over his business empire. Edward's past has come back to haunt both of them as Gladys is enmeshed in the loss of several million shares of the Bestman Group. AND HE WILL PAY...WITH HIS HEART Who are the people close to Edward who want to betray him and destroy his happiness with Gladys? Will Edward overcome his fear of love and commitment and put his trust in Gladys?
This book puts the short story at the heart of contemporary postcolonial studies and questions what postcolonial literary criticism may be. Focusing on short fiction between 1975 and today – the period in which critical theory came to determine postcolonial studies – it argues for a sophisticated critique exemplified by the ambiguity of the form.
The digital space provides a new avenue to move literature beyond the restrictions of book publishing on the continent. Arguing that writers are putting their work on cyberspace because communities are emerging from this space, and because increasing numbers of Africans use the internet as part of their day-to-day engagement with their societies and the world, Shola Adenekan explores this transformative development in Nigeria and Kenya, both significant countries in African literature and two of the continent's largest digital technology hubs. Queer Kenyans and Nigerians find new avenues for their work online where print publishers are refusing to publish short stories and poems on same-sex ...
A romance-suspense tale of forgiveness and redemption set in Zamzudan in East Africa. When spoiled and wealthy African teenager Tory Da-Silva meets broody Rashad Macaulay for the first time, she vows to make him hers. However, the price she'll pay for her quest will carry consequences of shame and guilt. Nine years later, temperamental Tory becomes a fiery beauty and multimillionaire Rashad can no longer fight his deep desires for her. All is set for Tory's dream to come true. But the dark secret she keeps from Rashad may be the one thing that may forever tear them apart.
The Last Carver narrates the musings of the historian Mgbirimgba Atuegwu on the recent death of one of the most respected men in his community, the Omenka. From Mgbirimgba's eyes, we are allowed to see the cultural practices of Umuokwe and the Igbos of South Eastern Nigeria in the early colonial period. "I knew Ositadimma Amakeze as a poet of unusual ability. The effect of that flair on his creative story is so evident from the beginning to the end of this amazing novel." - Dr P-J Ezeh, Anthropological Linguist and Literary Critic, University of Nigeria, Nsukka "It is a brilliant, multi-layered story that encompasses a tale of ingenious portrayal of a culture on the threshold of extinction. ...
Oil, like other fossil fuels, permeates every aspect of human existence. Yet it has been largely ignored by cultural critics, especially in the context of the Global South. Seeking to make visible not only the pervasiveness of oil in society and culture but also its power, Oil Fictions stages a critical intervention that aligns with the broader goals of the energy humanities. Exploring literature and film about petroleum as a genre of world literature, Oil Fictions focuses on the ubiquity of oil as well as the cultural response to petroleum in postcolonial states. The chapters engage with African, South American, South Asian, Iranian, and transnational petrofictions and cover topics such as ...
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Skin-lightening is currently one of the most common forms of potentially harmful body modification practices in the world and African women are among some of the most widely represented users of skin-lightening products. The overall objective of this book is to provide up-to-date evidence-based recommendations for reducing the global burden of cosmetic skin bleaching and preventing injuries related to skin bleaching in sub-Saharan Africa and Africans in diaspora. The book aims to: offer an appraisal of all relevant literature on cosmetic bleaching practices to-date, focusing on any key developments; identify and address important medical, public health issues as well as historical, genetic, psychosocial, cultural, behavioural, socioeconomic, political, institutional and environmental determinants; provide guideline recommendations that would help attenuate the burden and possibly eliminate the injuries related to skin bleaching; discuss potential developments and future directions.
This book is an inspirational guide for those willing to use the often neglected, ordinary everyday occurrences to achieve extraordinary exploits. With a blend of wit, intelligence and superb prose, this book is a tool for anyone looking not just to make a change but to be the change. It will have your adrenaline rushing as each word is filled with a passionate push to make a difference at work, at home and in your community. The book showcases how people can use their character, creativity and competence to enact a new lease of life in their personal lives and across the globe.
The Diary of a Desperate Naija Woman in the Year 2011 is collection of random blogs written by Bola Essien-Nelson giving the reader an insight into her daily life. It captures, in her own unique conversational manner, the soars and dips, the losses and the victories, the whoops of joy and the frustrated cries of defeat, and pain of an ordinary woman desperately chasing after her extraordinary God. Bola hopes that, as you read this book, the words you encounter will make you smile a little, laugh out loud a lot, and maybe even tear up on occasion as you realise that you are not alone and that many of lifes experiences are universal. She hopes that you will read and come to a deeper understanding of the incredibly intense love God has for you and that this realisation will birth a new hunger in your belly to chase after God and to do so desperately.