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Jitta's Atonement
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Nineteenth-century American Plays
Applause Books
Pro and Con
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A Small Boy and Others
Henry James was the final survivor of a remarkable family, and his memoir, written at the end of a long and tireless career, was prompted initially by the death of his "ideal Elder Brother," the psychologist and philosopher William James. A Small Boy and Others recounts the novelist’s earliest years in Albany and, more importantly, New York City, where he was allowed to wander at will. He evokes the theatrical entertainments he enjoyed, the varied social scene in which the family mixed, and the piecemeal nature of his education. With the first of several extended trips, the "romance" of Europe begins as the small boy becomes acquainted with a British culture already familiar from his preco...
The Many Worlds of Circus
Acrobats and manipulators of objects, trained animals, and clowns – have been performing throughout history. In the eighteenth century, the invention of the circus ring provided a focus for the activities, and the modern circus was born. Once the circus was the most spectacular entertainment many Americans saw. When the supply of cheap labor disappeared and other forms of entertainment became available, the giant circuses shrank, and in the last quarter of the twentieth century new one ring circuses returned. The Circus and Circus Culture area of the Popular Culture Association has been examining circus history, circus life, the relationship of circus to society, and the impact of circus o...
Bernard Shaw
This is the first comprehensive annotated bibliography of works by and about Bernard Shaw. No book has appeared before that has surveyed all of the research and writing that the life and work of Bernard Shaw have evoked. The greatest dramaturgist in English after Shakespeare, Shaw was one of the dominant public figures of his time, a long lifetime (1856-1950) that began in the mid-Victorian period and extended into the Atomic Age. Inevitably, someone who straddled his age so visibly and so memorably, and whose works retain a continuing fascination, has been the subject of thousands of articles and hundreds of books, from criticism of individual works to multivolume biographies, editions, and...
Extraordinary Bodies
Inaugurates a new field of disability studies by framing disability as a minority discourse rather than a medical one. The book examines disabled figures in Uncle Tom's Cabin and in African-American novels by Toni Morrison and Audre Lorde as well as in the popular cultural ritual of the freak show.
Circus Life
The nineteenth century saw the American circus move from a reviled and rejected form of entertainment to the “Greatest Show on Earth.” Circus Life by Micah D. Childress looks at this transition from the perspective of the people who owned and worked in circuses and how they responded to the new incentives that rapid industrialization made possible. The circus has long been a subject of fascination for many, as evidenced by the millions of Americans that have attended circus performances over many decades since 1870, when the circus established itself as a truly unique entertainment enterprise. Yet the few analyses of the circus that do exist have only examined the circus as its own close...
The American Play
In this brilliant study, Marc Robinson explores more than two hundred years of plays, styles, and stagings of American theater. Mapping the changing cultural landscape from the late eighteenth century to the start of the twenty-first, he explores how theater has--and has not--changed and offers close readings of plays by O'Neill, Stein, Wilder, Miller, and Albee, as well as by important but perhaps lesser known dramatists such as Wallace Stevens, Jean Toomer, Djuna Barnes, and many others. Robinson reads each work in an ambitiously interdisciplinary context, linking advances in theater to developments in American literature, dance, and visual art. The author is particularly attentive to the continuities in American drama, and expertly teases out recurring themes, such as the significance of visuality. He avoids neatly categorizing nineteenth- and twentieth-century plays and depicts a theater more restive and mercurial than has been recognized before. Robinson proves both a fascinating and thought-provoking critic and a spirited guide to the history of American drama.
