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Myth and Literature
This collection of thirty-four major essays devoted to the theories, methods, and problems of major criticism offers a convenient and substantial introduction to one of the most distinctive trends in contemporary literary study. -- From publisher's description.
Classical Mythology in English Literature
Classical Mythology in English Literature brings together a range of English versions of three classical myths. It allows students to explore the ways in which they have been reinterpreted and reinvented by writers throughout history. Beginning with a concise introduction to the principle Greco-Roman gods and heroes, the anthology then focuses on three stories: * Orpheus, the great musician and his quest to free his wife Eurydice from death * Venus and Adonis, the love goddess and the beautiful youth she loved * Pygmalion, the master sculptor who fell in love with his creation. Each section begins with the classical sources and ends with contemporary versions, showing how each myth has been used/abused or appropriated since its origins
Myth
This Very Short Introduction explores different approaches to myth from several disciplines, including science, religion, philosophy, literature, and psychology. In this new edition, Robert Segal considers both the future study of myth as well as the impact of areas such as cognitive science and the latest approaches to narrative theory.
Zeus Grants Stupid Wishes
Get this: Cronus liked to eat babies. Narcissus probably should have just learned to masturbate. Odin got construction discounts with bestiality. Isis had bad taste in jewelry. Ganesh was the very definition of an unplanned pregnancy. And Abraham was totally cool about stabbing his kid in the face. All our lives, we’ve been fed watered-down, PC versions of the classic myths. In reality, mythology is more screwed up than a schizophrenic shaman doing hits of unidentified…wait, it all makes sense now. In Zeus Grants Stupid Wishes, Cory O’Brien, creator of Myths RETOLD!, sets the stories straight. These are rude, crude, totally sacred texts told the way they were meant to be told: loudly, ...
Reading Myth
This book explores the appropriation and transformation of classical mythology by French culture from the mid-twelfth century to about 1430. Each of the five chapters focuses on a specific moment in this process and asks: What were the purposes of transforming classical myth? Which techniques did poets use to integrate classical subject matter into their own texts? Was a special interpretive tradition created for vernacular texts? In Chapter 1, the author shows how Latin epic texts were reoriented for political purposes in the twelfth-century Anglo-Norman realm, gaining new depth by the addition of Ovidian elements that evoked threats of a disorder different from the struggles of classical e...
The Greek Myths
Endymion, Pelops, Daedalus, Pygmalion – what are the stories behind these and the hundreds of other familiar names from Greek mythology – names that recur throughout the history of European culture? In a two-volume work that has become a classic reference book for both the serious scholar and the casual inquirer, Robert Graves retells the adventures of the important gods and heroes worshipped by the ancient Greeks. Drawing on an enormous range of sources, he has brought together all the elements of every myth in simple narrative form, supplying detailed cross-references and indexes. Each entry has a full commentary which examines problems of interpretation in both historical and anthropological terms, and in the light of contemporary research.
Myth, Literature, and the Unconscious
At a time when the place and significance of myth in society has come under renewed scrutiny, Myth, Literature, and the Unconscious contributes to shaping the new interdisciplinary field of myth studies. The editors find in psychoanalysis a natural and necessary ally for investigations in myth and myth-informed literature and the arts. At the same time the collection re-values myths and myth-based cultural products as vital aids to the discipline and practice of psychoanalysis. The volume spans a vast geo-cultural range (including ancient Egypt, India, Japan, nineteenth-century France, and twentieth-century Germany) and investigates cultural products from the Mahabharata to J. W. Goethe's opus and eighteenth-century Japanese fiction, and from William Blake's visionary poetry to contemporary blockbuster television series. It encompasses mythic topics and figures such as Oedipus, Orpheus, the Scapegoat, and the Hero, while mobilising Freudian, Jungian, object relations, and Lacanian psychoanalytic approaches.
The Myths and Legends of Ancient Greece and Rome
E. M. Berens, a renowned scholar of mythology, has meticulously compiled an encyclopedic anthology entitled "The Myths and Legends of Ancient Greece and Rome." This voluminous work unveils a captivating tapestry of tales from two of history's most pivotal civilizations, offering a profound glimpse into the beliefs, heroes, deities, and formidable creatures that shaped the ancient world. Spanning an extensive historical landscape, "The Myths and Legends of Ancient Greece and Rome" comprehensively presents both renowned myths and obscure legends. Its pages unfold a vibrant panorama of narratives, tracing the very genesis of the universe itself. The exploits of legendary heroes such as the indo...
Viking Gods
Viking Gods conjures up a pantheon of deities far removed from most 20th century beliefs. Beautifully illustrated, it provides a compelling introduction to Norse mythology.
The Greek Myths
Robert Graves, classicist, poet and unorthodox critic, retells the Greek legends of gods and heroes for a modern audience. He demonstrates with a dazzling display of relevant knowledge that Greek mythology is �no more mysterious in content than are modern election cartoons�. All the scattered elements of each myth are assembled into a harmonious narrative, and many variants are recorded which may help to determine its ritual or historical meaning. Full indexes and references to the classical sources make the book as valuable to the scholar as the general reader. And a full commentary on each myth interprets the classical version in the light of contemporary archaeological and anthropological knowledge.
