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In his essay, Thomas Padon offers an overview of Graves's printmaking activity and discusses the development of her complex visual language. In the interview with the author, Graves offers the first discussion of her specific interest in printmaking, her methodology, and the role of the medium in her overall oeuvre. The second half of the book constitutes a catalogue raisonne of Graves's graphic work, which comprises nearly 200 prints made at many of the leading printmaking workshops, including Tyler Graphics, Graphicstudio, and 2RC Edizioni d'Arte. Most of these works are published for the first time in this comprehensive volume.
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Perhaps the most surprising works by Nancy Graves (1939-1995) are her life-size sculptures of camels and dromedaries. Made of wax, fiberglass, jute, and animal skins in the late sixties, they also question the principles behind true-to-nature renditions and Pop Art alike. Graves later used NASA weather maps and maps of the moon in her works, while also citing paleontology and anthropology, art history, and artifacts from other cultures. She combined Conceptual Art with Land Art and New Figuration, advanced research arts and the art film, and made important contributions to gender research. This publication presents the artist's multifaceted oeuvre and examines its relationship to the works of her contemporaries and role models, while undertaking a reevaluation of its significance in terms of art history. 0Exhibition: Ludwig Forum für Internationale Kunst, Aachen, Germany (13.10.2013-16.2.2014). 0.
"Nancy Graves is one of the truly remarkable art talents of the current generation. A protean creator, she has produced work of startling originality and beauty as a painter, graphic artist, filmmaker, and sculptor. From Graves's first three-dimensional work - her camels - to her most recent works in bronze, her sculpture has been innovative and influential not only for its aesthetic impact but also because it has stretched the boundaries of sculptural media. Graves's bronzes are composed to a variety of elements, many of which are cast from such natural, organic, and/or everyday objects as pretzels, sardines, leaves, and cooking scissors. These works are then colored through a combination o...
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This exhibition catalogue marks the 20th anniversary of the death of American artist Nancy Graves (1939-1995), featuring work from the first half of her career, from 1969 to 1982. In 1969, Graves became internationally recognized as the first female artist to receive a solo retrospective at the Whitney Museum in New York City. It was at this exhibition that her now iconic series Camels was first displayed--a collection of three larger-than-life camels made from animal hides, burlap, wax and fiberglass. Graves, filled with curiosity about the natural world, continued to work with the image of these majestic and mysterious creatures. In 1970, she fabricated steel camel skeletons for Inside-Outside, and in the same year, she captured them in their natural habitat in the Sahara for her rarely exhibited film Izy Boukir. Alongside the artist's sculptures and films, this publication also includes her large-scale watercolors and pointillist-style canvases.