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The Object as a Process
How does artistic practice lead to the production of knowledge? How does, in turn, artistic knowledge relate to its material base? How does contingent materiality guide the artist towards finding form and developing a statement? This volume is dedicated to the object as a process in order to offer new insights into the ways the object – broadly construed, comprising digital and other non-classical objects – becomes an active element in artistic practice.
Martin Kippenberger
An illuminating study of the work of artist Martin Kippenberger, whose art expressed the enthusiasms and frustrations of the West German middle class. Martin Kippenberger: Everything Is Everywhere is the first scholarly monograph in English on West German artist Martin Kippenberger (1953–1997), one of the most prominent German artists of the 1980s. In this book, Chris Reitz shows that the condition of Kippenberger’s art was an endless, enthusiastic searching, constrained by the impossibility of fulfillment. A child during West Germany’s Wirtschaftswunder, the economic miracle of the 1950s and 1960s, and a young adult during the economic recession and political tumult of the 1970s, Kipp...
Under Construction
Die Publikation widmet sich dem Wandel von Männlichkeit(en), den Bildende Künstler:innen seit den 1970er Jahren und aktuell mehr denn je verhandeln. Die vielfältigen künstlerischen Prozesse, in denen die Vorstellung von Männlichkeit als scheinbar universale, unumstößliche Konstante sukzessiv durch die Annahme einer Pluralität von Männlichkeiten abgelöst wird, beleuchten die kunst- und kulturwissenschaftlichen Beiträge des Bandes in vier Sektionen: Postphallische Männlichkeit, Queering Masculinities, Optimierte Männlichkeit(en) und Verletzlichkeit. Ausgehend von der Prämisse, dass Männerkörper keinen intrinsischen Wesenskern besitzen, sondern sozial konstruiert und somit transformierbar sind, werden Visionen zukünftiger Männlichkeit(en) diskutiert und greifbar gemacht.
The Cool and the Cold: Painting in the USA and the USSR 1960-1990
The Peter and Irene Ludwig Collection was one of the ?rst in the world to bring together works of US and Soviet art in the time period when they originated. Occasioned by the 30th anniversary of the opening of the iron curtain, in this book, which accompanies the eponymous exhibition at the Gropius Bau, works contained in the Ludwig Collection from both sides of the East-West conflict are compared for the first time. In this dialogue, it becomes apparent how Cold War era artists responded to the political and aesthetic issues of their age and negotiated concepts of individual and social freedom. The volume features some 150 works, including ones by Andy Warhol, Ilya Kabakov, Jackson Pollock, Erik Bulatov, Lee Lozano, Natalya Nesterova, and Helen Frankenthaler.Exhibition: Gropius Bau, Berlin, Germany (postponed to April to September 2021).
