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Looking Within
The African Cuban poet Nancy Morej'n set out at a young age to explore the beauty and complexities of the life around and within her. Themes of social and political concern, loyalty, friendship and family, African identity, women's experiences, and hope for Cuba's future all found their way into her poems through bold metaphor and tender lyricism. This panoramic anthology, selected from ten volumes of Morej'n's work and organized by theme, contains some poems that have already been acclaimed in several languages, others that are less known, and some never before published. Overall they present to Morej'n's readership an enhanced, broader, and updated spectrum of her poetry in a Spanish-Engli...
Looking Within
A bilingual edition of poetry from an important Cuban poet.
Unbecoming Blackness
2014 Runner-Up, MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies In Unbecoming Blackness, Antonio López uncovers an important, otherwise unrecognized century-long archive of literature and performance that reveals Cuban America as a space of overlapping Cuban and African diasporic experiences. López shows how Afro-Cuban writers and performers in theU.S. align Cuban black and mulatto identities, often subsumed in the mixed-race and postracial Cuban national imaginaries, with the material and symbolic blackness of African Americans and other Afro-Latinas/os. In the works of Alberto O’Farrill, Eusebia Cosme, Rómulo Lachatañeré, and others...
Before a Mirror, the City
"Morejon's poetry gives us a mighty Cuba. A laughing Cuba. A determined Cuba. Walking in beauty in their country. Undefeated." -Sonia SanchezNancy Morejón, an indispensable voice in contemporary Cuban poetry, has produced a book whose core centers on the people, experience, and landscape of the city. She has said " I was born in Havana and for me the city is inside my poetic art, cities fascinate me." In Before the Mirror, The City Morejon captures the tastes and colors that give this city and its people their unique character.
Homing Instincts
HAVANA
Handmade in Cuba
Handmade in Cuba is an in-depth examination of Ediciones Vigía, an artisanal press that published exquisite books crafted from simple supplies during some of Cuba’s most dire economic periods. Vividly illustrated, this volume shows how the publishing collective responded to the nation’s changing historical and political situation from the margins of society, representing Cuban culture across the boundaries of race, age, gender, and genre. In this volume, poets and scholars reflect on the unique artistic direction of Rolando Estévez, who oversaw the creation of over 500 handmade books and magazines between 1985 and 2014. They highlight the beautiful designs and unusual materials selecte...
With Eyes and Soul
Afro-Cuban poet and U.S. documentary photographer create a compelling portrait of Cuba.
A Contemporary Cuba Reader
A collection of essays that explore a wide range of topics related to Cuban politics, economics, foreign policy, social transformation, and culture in the post-Soviet era.
Voces Femeninas de Hispanoamerica
Voces Femeninas de Hispanoamerica presents in one volume a selection of the most representative and outstanding writing by Latin American women writers from the seventeenth century to the present. Designed as a text for third and fourth-year students, the selections, writers' biographies, historical introduction, and appendixes are entirely in Spanish, with notes to help students with difficult words or passages.
Daughters of the Diaspora
Daughters of the Diaspora features the creative writing of 20 Hispanophone women of African descent, as well as the interpretive essays of 15 literary critics. The collection is unique in its combination of genres, including poetry, short stories, essays, excerpts from novels and personal narratives, many of which are being translated into English for the first time. They address issues of ethnicity, sexuality, social class and self-representation and in so doing shape a revolutionary discourse that questions and subverts historical assumptions and literary conventions. Miriam DeCosta-Willis's comprehensive Introduction, biographical sketches of the authors and their chronological arrangement within the text, provide an accessible history of the evolution of an Afra-Hispanic literary tradition in the Caribbean, Africa and Latin America. The book will be useful as textbook in courses in Africana Studies, Women's Studies, Caribbean, Latina and Latin American Studies as well as courses in literature and the humanities.
