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A biography of Caroline Gordon examines her artistic vision, individuality, and "underground stream" of feminist concerns and reveals the ability behind the contrived persona of a traditional southern lady-turned-artist through the guidance of her brilliant husband, Allen Tate. UP.
"This girl is a real novelist," wrote Caroline Gordon about Flannery O'Connor upon being asked to review a manuscript of O'Connor's first novel, Wise Blood. "She is already a rare phenomenon: a Catholic novelist with a real dramatic sense, one who relies more on her technique than her piety." This collection of letters and other documents offers the most complete portrait of the relationship between two of the American South's most acclaimed twentieth-century writers: Flannery O'Connor and Caroline Gordon. Gordon (1895-1981) had herself been a protégée of an important novelist, Ford Madox Ford, before publishing nine novels and three short story collections of her own, most notably, The Fo...
Looking at the works of diverse writers as the gens de couleur libre poets of antebellum New Orleans, this book focuses on the shifting and contradictory ways Catholicism has signified within southern literature and culture. It contributes to a more nuanced understanding of American and southern literary and cultural history.
“Magisterial and glorious” (Pittsburgh Post-Gazette), the first full authoritative biography of Dorothy Day—American icon, radical pacifist, Catholic convert, and advocate for the homeless—is “a vivid account of her political and religious development” (Karen Armstrong, The New York Times). After growing up in a conservative middle-class Republican household and working several years as a left-wing journalist, Dorothy Day converted to Catholicism and became an anomaly in American life for the next fifty years. As an orthodox Catholic, political radical, and a rebel who courted controversy, she attracted three generations of admirers. A believer in civil disobedience, Day went to ...
A challenge to traditional criticism, this engaging study demonstrates that issues of sexuality-and same-sex desire in particular-were of central importance in the literary production of the Southern Renaissance. Especially during the end of that period-approximately the 1940s and 1950s-the national literary establishment tacitly designated the South as an allowable setting for fictionalized deviancy, thus permitting southern writers tremendous freedom to explore sexual otherness. In Lovers and Beloveds, Gary Richards draws on contemporary theories of sexuality in reading the fiction of six writers of the era who accepted that potentially pejorative characterization as an opportunity: Truman...
"These letters, all but one of which have never before been published, cover the years 1930-1939 - from Gordon's completion of her first novel, Penbally, to Ford's death."--BOOK JACKET.
Caroline Gordon, regarded as a minor figure of the Southern Renaissance, was enviviosned as a writer, sometimes as a mother, but most often as a wife to Allen Tate and as a hostess and novelist who entertained and sometimes mentored artists visiting their home in Tennessee. This critical interpretation assesses Caroline Gordon's early struggles to gain voice and respect as a writer, her tendency to explore themes of sexual and racial tension, and the strange and lurid bloom of Gordon's genius.
Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.
Selected as an Outstanding Academic Title by Choice Selected as an Outstanding Reference Source by the Reference and User Services Association of the American Library Association There are many anthologies of southern literature, but this is the first companion. Neither a survey of masterpieces nor a biographical sourcebook, The Companion to Southern Literature treats every conceivable topic found in southern writing from the pre-Columbian era to the present, referencing specific works of all periods and genres. Top scholars in their fields offer original definitions and examples of the concepts they know best, identifying the themes, burning issues, historical personalities, beloved icons, ...
During and after the Civil War, southern women played a critical role in shaping the South’s evolving collective memory by penning journals and diaries, historical accounts, memoirs, and literary interpretations of the war. While a few of these writings—most notably Mary Chesnut’s diaries and Margaret Mitchell’s novel, Gone with the Wind—have been studied in depth by numerous scholars, until now there has been no comprehensive examination of Civil War novels by southern women. In this welcome study, Sharon Talley explores works by fifteen such writers, illuminating the role that southern women played in fashioning cultural identity in the region. Beginning with Augusta Jane Evans...