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The collection reveals how scholars of the 1970s through the 1990s argued the importance of previously unconsidered questions about the shape of medieval familial experience, and how their mutual information and criticism has refined and added to this investigation in the intervening period.
The volume contains entries for paintings in the National gallery that were produced in the fifteenth and sixteenth centuries by artists from the Netherlands. The entries are arranged alphabetically by artist; a short biography and bibliography for each artist is followed by individual entries on the paintings, each in order of acquisition. The authors address traditional questions of attributes and iconography; in addition, they examine the social, economic, and religious context in which the individual work of art functioned. The volume is also probable the first museum catalogue to include the results of examination by infrared reflectography and dendrochronological analysis.
In this important new work Ian Mortimer examines some of the most controversial questions in medieval history, including whether Edward II was murdered, his possible later life in Italy, the weakness of the Lancastrian claim to the throne in 1399 and the origins of the idea of the royal pretender. Central to this book is his ground-breaking approach to medieval evidence. He explains how an information-based method allows a more certain reading of a series of texts. He criticises existing modes of arriving at consensus and outlines a process of historical analysis that ultimately leads to questioning historical doubts as well as historical facts, with profound implications for what we can say about the past with certainty. This is an important work from one of the most original and popular medieval historians writing today.
This book explores the idea of privacy at sea, from early sixteenth-century maritime expansions to nineteenth-century naval developments. In this period, the sea became a focal point of political and economic ambition as technological and cultural shifts enabled a more extensive exploration of maritime spaces and global coexistence at sea. The exploration of the sea and the conflicts arising from establishing control over maritime routes demanded a more nuanced distinction and negotiation between State and private efforts. Privateering, for example, became a bridge between the private enterprises and the State’s warfares or trade struggles, demonstrating that the sea required public contro...
This is a book that goes beyond a mere examination of the role of the family in structuring sexual relationships, kinship relations, and child rearing practices. Here are historical examples of the family as a source of labor and capital accumulation, as a mechanism for the transmission of property, and as a means for the imposition of social control.
In The Gattilusio Lordships and the Aegean World 1355-1462, Christopher Wright offers a window into the culturally and politically diverse late medieval Aegean. The overlapping influences of the contrasting networks of power at work in the region are explored through the history of one of many small and distinctive political units that flourished in this fragmented environment, the lordships of the Gattilusio family, centred on Lesbos. Though Genoese in origin, they owed their position to Byzantine authority. Though active in crusading, they cultivated congenial relations with the Ottomans. Though Catholic, they afforded exceptional freedom to the Orthodox Church. Their regime is shown to represent both a unique fusion of influences and a revealing microcosm of its times.
Sofonisba Anguissola (ca. 1532–1625), an Italian Renaissance painter born in Cremona to a relatively poor noble family, was one of the first women artists to establish an international reputation during her lifetime. This stunningly illustrated monograph explores the evolution of Anguissola’s art from her youth in Cremona through her service as a lady-in-waiting to the Spanish queen Elisabeth of Valois to her later years as a married woman in Sicily and Genoa. Alongside discussions of Anguissola and her work, author Cecilia Gamberini offers a tantalizing exploration of Renaissance court life, detailing how the circles of influence and power operated. This volume highlights the social, political, and cultural preconditions surrounding Anguissola’s role in the court of King Philip II of Spain and her ascent to becoming an internationally acclaimed painter. Gamberini draws on archival documentation, as well as her own original research, to shine a new light on Anguissola’s life, career, and work in this tribute to a truly groundbreaking artist.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived