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Empathetic, supportive and respectful... Or competitive, manipulative and downright bitchy?Or somewhere in between?In Just Between Us, a host of Australia's best-loved female writers bare all on this age-old quandary: Are female friendships all-natural and nurturing? Or are some more damaging than delightful? And most of all, what happens when female relationships go off the rails? And who is to blame? While falling in and out of romantic love is a well-documented experience, losing a friend rarely gets discussed. Which doesn't mean the pain is less - quite the opposite, as we discover in this extraordinary collection of heartfelt fiction and non-fiction works that put female friendship in t...
Natalie Kon-yu was nine weeks pregnant when the trembling began. Two weeks later she checked herself into a mental health unit. Rather than a woman with a health concern, the doctors saw Natalie as a vessel carrying precious cargo. This loss of agency carried on through childbirth and into her early years as a mother. Natalie discovered that she was far from alone. In fact, her experience typifies the inequalities that weigh heavily on child-bearing women, as well as the devaluation of what is still perceived as 'women's work'. With bracing clarity and verve, Kon-yu tackles the outdated institutions, expectations and ideologies that hold us hostage as parents. The pressure is building and the cost on families is stacking up. Something has to give.
'An extremely important anthology' Tracey Spicer In October 2017, the hashtag MeToo went viral. Since then we've watched controversy erupt around Geoffrey Rush, Germaine Greer and Junot Díaz. We've talked about tracking the movement back via Helen Garner, Rosie Batty and Hannah Gadsby. We've discussed #NotAllMen, toxic masculinity and trolls. We've seen the #MeToo movement evolve and start to accuse itself - has it gone too far? Is it enough? What does it mean in this country? And still, women are not safe from daily, casual sexual harassment and violence. In this collection thirty-five contributors share their own #MeToo stories, analysis and commentary to survey the movement in an Austral...
'When are you having children?' 'Why didn't you have another child?' 'Well, I guess that's your choice, but...' They are questions asked of women of a certain age all the time. Beneath them is the assumption that all women want to have children, and the judgment that if they don't, they'll be somehow incomplete. And that's only the beginning... Being a mother, or not being a mother, has never been so complicated. The list of rights and wrongs gets longer daily, with guilt-ridden mothers struggling to keep on top of it all, and non-mothers battling a culture that defines women by their wombs. In this collection of fiction and non-fiction stories, Australian women reflect on motherhood: how it...
“The strangest book you are likely to read this year.” – JM Coetzee SHORTLISTED FOR THE MILES FRANKLIN LITERARY AWARD Pain was Joe Grim’s self-expression, his livelihood and reason for being. A superstar boxer who rarely won a fight, Grim distinguished himself for his extraordinary ability to withstand physical punishment. In this wild and expansive novel, Michael Winkler moves between the present day and Grim’s 1908–09 tour of Australia, bending genres and histories into a kaleidoscopic investigation of pain, masculinity, and narrative. Pain is often said to defy the limits of language. And yet Grimmish suggests that pain – physical and mental – is also the most familiar and...
Van Diemen's Land, 1826. A desperate convict flees into the wilderness. But the land that hides her will show her no mercy. A brilliant literary debut from a writer of rare talent. 'The kind of book that keeps you reading past midnight, holding on for dear life. There's a sense of menace on every page. An incredible debut by a brilliant new talent.' Rohan Wilson, author of To Name Those Lost Van Diemen's Land, 1826. When Bridget Crack arrives in the colony, she is just grateful to be on dry land. But finding the life of an indentured domestic servant intolerable, she pushes back and is punished for her insubordination-sent from one place to another, each significantly worse than the last. To...
"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."
This is the story of Arthur Watkins, blacksmith, who leaves his beloved young wife Helen to serve with the 10th Light Horse Battalion in the Middle East in World War I. He returns without his horse, a man forever changed by what he has seen and suffered. Years later, Arthur's children Ruth and Tom are still feeling the effects of the first war when Tom is sent by his father to work in Sumatra. Tom Watkins is there in 1942 when the Japanese invade and is taken prisoner. This is the story of two wars that divide and unite a father and son, and all the years that lie in between.
A sumptuously romantic story bursting with historical colour and flavour, perfect for readers of Dinah Jefferies, Lucinda Riley and Jenny Ashcroft. 'Romantic, engaging and hugely satisfying' Katie Fford on The Apothecary's Daughter ***** Italy, 1819. Emilia Barton and her mother Sarah live a nomadic existence, travelling from town to town as itinerant dressmakers to escape their past. When they settle in the idyllic coastal town of Pesaro, Emilia desperately hopes that, this time, they have found a permanent home. But when Sarah is brutally attacked by an unknown assailant, a deathbed confession turns Emilia's world upside down. Seeking refuge as a dressmaker in the eccentric household of Pr...
"Originally published in 2017 by Scribe Publications, Australia"--Ttitle page verso.