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Bittersweet
Bittersweet is a collage representing both the motherland and Scarborough, Ontario. It considers memory using photographs, maps, language, and folklore as well as collective memory. Bringing together definitions, recipes, cartography, photo albums, and oral stories, it meditates on themes of obscured history, theft, time, and liminality. The poems journey from Toronto to Guyana to India, and Scarborough remains omnipresent, a place much like Guyana, with a mix of races and a strong, active, and boisterous youthful presence.
The Writing Moment
a href=http://prismmagazine.ca/2014/09/24/an-interview-with-daniel-scott-tysdal/"PRISM International magazine interview with Daniel Scott Tysdal/a This practical guide to composing original, evocative poetry explores all aspects of the writing process-including finding inspiration, organizing ideas on paper, revising first drafts, and sharing poems with others. Accessible and encouraging throughout, this invaluable resource helps beginner poets find their voice and master the tools of the trade."
The Arrivants
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The Unpublished City
Orient yourself in the city with these nineteen works of creative non-fiction that offer a different, more multifarious wayfinding. In this second volume of The Unpublished City, imagination is the means by which these writers find detours, shortcuts and convergences. Even as they are inventing and imagining the city, these emerging Toronto-based writers find themselves marked through tender and violent encounters. For them, the city is more than backdrop, but a witness, an accomplice and a lover.This anthology's maps of experience bring us beyond the city's limits to the cul-de-sacs and vertical dimensions of Mississauga, Vaughan, North York and Scarborough. They follow buried creeks and mi...
Let Go
A lost job. A cardboard box. A raging blizzard. After being fired from his job, a veteran ad man is escorted from the office, carrying a cardboard box packed with mementos of his career. He steps out into a blinding blizzard, burdened by the weight of his collection. Each object tells a story, and as he navigates the city and makes his way home, he indulges in memories from his past: former colleagues, an award-winning campaign, a lost love. But faced with the demands of the present—and the very real danger of the snow-bound city streets—he must decide whether to hold on to the objects of his past, or to let go in the hopes of surviving the night. The bold, honest linocuts in Mark Huebner’s Let Go form an evocative narrative that distills over twenty years of memories into a single night of intense struggle against nature both meteorological and human.
A Daughter's Deadly Deception
Now a Netflix Documentary What Jennifer Did • A sinister plot by a young woman left her mother dead and her father riddled with bullets. “The book is pure story: chronological, downhill, fast.” — Globe and Mail From the outside looking in, Jennifer Pan seemed like a model daughter living a perfect life. The ideal child, the one her immigrant parents saw, was studying to become a pharmacist at the University of Toronto. But there was a dark, deceptive side to the angelic young woman. In reality, Jennifer spent her days in the arms of her high school sweetheart, Daniel. In an attempt to lead the life she dreamed of, she would do almost anything: lie about her whereabouts, forge school ...
Shut Up You're Pretty
Winner, Trillium Book Award In Téa Mutonji’s disarming debut story collection, a woman contemplates her Congolese traditions during a family wedding, a teenage girl looks for happiness inside a pack of cigarettes, a mother reconnects with her daughter through their shared interest in fish, and a young woman decides on shaving her head in the waiting room of an abortion clinic. These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator’s experience as an involuntary one. Tinged with pathos and humor, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed. Shut Up You’re Pretty is...
Us, Now
Us, Now roves from Indonesia to the Middle East, Taiwan, Mexico, China, Africa, Jamaica, Barbados, India, Pakistan, and points in between, converging in Newfoundland. These stories by racialized Newfoundlanders are by turns joyous, tender, hilarious, and heart-wrenching. They confront racism and celebrate the act of enduring. They are about settling and getting unsettled, about parents and their children, about language, about facing down the horrors of homophobia, about the joy of love, about lifelong relationships or the glee of a magnificent crush. Here social and domestic violence are countered with tenderness and the penetrating power of narrative. This is a book about distance and coming together, about what it means to be seen and understood, or--devastatingly--to be seen and judged, or to be invisible and misunderstood. What it means to belong. These are new writers and new visions of an in-the-present-moment Newfoundland, stories shaped by powerful voices, stories urgent, radical, and sparking with beauty.
Sonnet's Shakespeare
Bronwen Wallace Memorial Award-winning poet Sonnet L'Abbé returns with her third collection, in which a mixed-race woman decomposes her inheritance of Shakespeare by breaking open the sonnet and inventing an entirely new poetic form. DOROTHY LIVESAY POETRY PRIZE FINALIST RAYMOND SOUSTER AWARD FINALIST How can poetry grapple with how some cultures assume the place of others? How can English-speaking writers use the English language to challenge the legacy of colonial literary values? In Sonnet's Shakespeare, one young, half-dougla (mixed South Asian and Black) poet tries to use "the master's tools" on the Bard's "house," attempting to dismantle his monumental place in her pysche and in the p...
Suture
To make her films, Eva must take out her eyes and use them as batteries. To make her art, Finn must cut open her chest and remove her lungs and heart. To write her novels, Grace must use her blood to power the word processor. Suture shares three interweaving stories of artists tearing themselves open to make art. Each artist baffles their family, or harms their loved ones, with their necessary sacrifices. Eva's wife worries about her mental health; Finn's teenager follows in her footsteps, using forearms bones for drumsticks; Grace's network constantly worries about the prolific writer's penchant for self-harm, and the over-use of her vitals for art. The result is a hyper-real exploration of the cruelties we commit and forgive in ourselves and others. Brewer brings a unique perspective to mental illness while exploring how support systems in relationships--spousal, parental, familial--can be both helpful and damaging. This exciting debut novel is a highly original meditation on the fractures within us, and the importance of empathy as medicine and glue.
