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Naturwissenschaftler und Philosophen haben im Lauf der Wissenschaftsgeschichte unterschiedliche Auffassungen vom Hypothesencharakter empirischer Theorien entwickelt. Der Band widmet sich drei verschiedenen Epochen, in denen der Erkenntnisoptimismus erfolgreicher Wissenschaftspraxis auf ein wachsendes Bewusstsein der Grenzen naturwissenschaftlicher Einsicht trifft: der Frühen Neuzeit (Kopernikus, Kepler, Bacon, Galilei, Descartes, Boyle, Newton, Locke, mit einem Rückblick auf die mittelalterlichen Autoren Maimonides und Gersonides), dem mechanistischen Weltbild des 19. Jahrhunderts (Herschel, Whewell, Mill, C. G. J. Jacobi, Carl Neumann, Boutroux, Ch. S. Peirce, mit einem Rückblick auf Lagrange und d'Alembert) und dem 20. Jahrhundert mit dem Aufkommen der modernen Physik (Hertz, Poincaré, Vaihinger, Duhem, Heisenberg, Popper). Abgerundet wird der Band durch Studien zur Gegenwartsdiskussion des wissenschaftlichen Realismus und den Chancen einer hypothetischen Metaphysik der Natur.
Historians of philosophy, science, and mathematics explore the influence of Kant's philosophy on the evolution of modern scientific thought.
This book offers both a naturalistic and critical theory of signs, minds, and meaning-in-the-world. It provides a reconstructive rather than deconstructive theory of the individual, one which both analytically separates and theoretically synthesizes a range of faculties that are often confused and conflated: agency (understood as a causal capacity), subjectivity (understood as a representational capacity), selfhood (understood as a reflexive capacity), and personhood (understood as a sociopolitical capacity attendant on being an agent, subject, or self). It argues that these facilities are best understood from a semiotic stance that supersedes the usual intentional stance. And, in so doing, ...
This book is aimed to explain the creation of artworks and their evaluation, and offers a new concept of aesthetics and beauty of artworks. Following and reconstructing Peircean realist epistemology, Aesthetics is one of the three normative sciences, along with Logic (Theoretic) and Ethics, which are the three different modes of representing reality. Aesthetics is the mode of artistic representation of reality, and the created artworks are judged beautiful when proven as an aesthetic true representation of reality. Artists aim to represent reality truly, and hence, beautifully, in order to enhance our knowledge of it and to afford us insights on how to better conduct our life in society.
Mediating Nature provides a history of the present nature of mass mediation. It examines the ways in which a number of discourses, technologies and institutions have historically shaped the current ways of imagining nature in the mass media. Where much of the existing research treats mass mediation as a matter of media technologies, texts, or institutions, this text adopts a somewhat different approach: it considers mass mediation as a historical process by means of which the members of audiences and indeed the public more generally came to be incorporated as observers in, and of mass culture. This approach allows the book to investigate the roles that a wide range of genres relating to natu...
Open publication Opening the 9-volume-series Handbooks of Pragmatics, this handbook provides a comprehensive overview of the foundations of pragmatics. It covers the central theories and approaches as well as key concepts and topics characteristic of mainstream pragmatics, i.e. the traditional and most widespread approach to the ways and means of using language in authentic social contexts. The in-depth articles provide reliable orientational overviews useful to researchers, students, and teachers. They are both state of the art reviews of their topics and critical evaluations in the light of subsequent developments. Topics are thus considered within their scholarly context and also critical...
In 'Music as Social Life', Thomas Turino explores why it is that music and dance are so often at the centre of our most profound personal and social experiences.