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The quest to pinpoint the age of the Earth is nearly as old as humanity itself. For most of history, people trusted mythology or religion to provide the answer, even though nature abounds with clues to the past of the Earth and the stars. In A Natural History of Time, geophysicist Pascal Richet tells the fascinating story of how scientists and philosophers examined those clues and from them built a chronological scale that has made it possible to reconstruct the history of nature itself. Richet begins his story with mythological traditions, which were heavily influenced by the seasons and almost uniformly viewed time cyclically. The linear history promulgated by Judaism, with its story of cr...
How does law come to be stated as substantive rules, and then how does it change? One of Britain's most acclaimed legal historians focuses on the development of English common law--the intellectually coherent system of substantive rules that courts bring to bear on the particular facts of individual cases--from which American law was to grow.
Singapore's collection of Southeast Asian animals–one of the world's largest–dates back to the old Raffles Museum, officially established in 1878.With the opening of the Lee Kong Chian Natural History Museum in 2015, the original Raffles Museum has "reincarnated" and the loop on its remarkable 127-year history has closed. Beneath the sleek exterior of today's modern museum building lies a saga of titanic struggles and changes. That the collections survived at all–through the multiple challenges of the nineteenth century, the disruption of World War Two, and its potential disintegration in the face of Singapore's modernization–is nothing short of miraculous. This book is not only an institutional history of the museum but also tells the story of frustrations, commitment and courage of the numerous individuals who battled officialdom, innovated endlessly and overcame the odds to protect Singapore's natural history heritage. The book features 108 historical photographs and natural history illustrations printed in full colour throughout.
Natural history museums have evolved from being little more than musty repositories of stuffed animals and pinned bugs, to being crucial generators of new scientific knowledge. They have also become vibrant educational centers, full of engaging exhibits that share those discoveries with students and an enthusiastic general public. Grande offers a portrait of curators and their research, conveying the intellectual excitement and the educational and social value of curation. He uses the personal story of his own career-- most of it spent at Chicago's Field Museum-- to explore the value of research and collections, the importance of public engagement, changing ecological and ethical considerations, and the impact of rapidly improving technology.
"First published in 2021 by the Natural History Museum, ... London."--Title page verso.
This illustrated survey covers what Nicholas Wade calls the "observational era of vision," beginning with the Greek philosophers and ending with Wheatstone's description of the stereoscope in the late 1830s.
In the tradition of "Longitude, " a small and engagingly written book on the history and meaning of zero--a "tour de force" of science history that takes us through the hollow circle that leads to infinity. 32 illustrations.
This book explores the life and work of the 18th-century English artist, explorer, naturalist, and author Mark Catesby (1683-1749). During Catesby's lifetime, science was poised to shift from a world of amateur virtuosi to one of professional experts. He worked against a backdrop of global travel that incorporated collecting and direct observation of nature. Catesby spent two prolonged periods in the New World--in Virginia (1712-19) and South Carolina and the Bahamas (1722-26)--which he documented in Natural History of Carolina, Florida and the Bahama Islands, the first large-format, color-plate book on the natural history of North America. Interweaving elements of art history, history of science, natural history illustration, painting materials, book history, paper studies, garden history, and colonial history, this volume brings together a wealth of unpublished images as well as previously unpublished letters by Catesby, with contemporary accounts of his collecting and encounters in the wild, and details of the materials and techniques of packing and transporting plants and animals across the Atlantic.
Explores the development of natural history since the Renaissance and contextualizes current discussions of biodiversity.