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Visual Perception
  • Language: en
  • Pages: 308

Visual Perception

Vision is our most dominant sense, from which we derive most of our information about the world. From the light that enters the eye and the processing in the brain that follows we can sense where things are, how they move and what they are. The first edition of Visual Perception took a refreshingly different approach to perception, starting from the function that vision serves for an active observer in a three-dimensional environment. This fully revised and expanded new edition continues this approach in contrast to the traditional textbook treatment of vision as a catalogue of phenomena. Following a general introduction to the main theoretical approaches, the authors discuss the historical ...

A Natural History of Vision
  • Language: en
  • Pages: 492

A Natural History of Vision

  • Type: Book
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  • Published: 2000-01-31
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  • Publisher: MIT Press

This illustrated survey covers what Nicholas Wade calls the "observational era of vision," beginning with the Greek philosophers and ending with Wheatstone's description of the stereoscope in the late 1830s.

Perception and Illusion
  • Language: en
  • Pages: 257

Perception and Illusion

Our contact with the world is through perception, and therefore the study of the process is of obvious importance and signi?cance. For much of its long history, the study of perception has been con?ned to natural- tic observation. Nonetheless, the phenomena considered worthy of note have not been those that nurture our survival—the veridical features of perception—but the oddities or departures from the common and c- monplace accuracies of perception. With the move from the natural world to the laboratory the oddities of perception multiplied, and they received ever more detailed scrutiny. My general intention is to examine the interpretations of the perc- tual process and its errors throughout history. The emphasis on errors of perception might appear to be a narrow approach, but in fact it enc- passes virtually all perceptual research from the ancients until the present. The constancies of perception have been taken for granted whereas - partures from constancies (errors or illusions) have fostered fascination.

A Troublesome Inheritance
  • Language: en
  • Pages: 249

A Troublesome Inheritance

  • Type: Book
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  • Published: 2014-05-06
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  • Publisher: Penguin

Drawing on startling new evidence from the mapping of the genome, an explosive new account of the genetic basis of race and its role in the human story Fewer ideas have been more toxic or harmful than the idea of the biological reality of race, and with it the idea that humans of different races are biologically different from one another. For this understandable reason, the idea has been banished from polite academic conversation. Arguing that race is more than just a social construct can get a scholar run out of town, or at least off campus, on a rail. Human evolution, the consensus view insists, ended in prehistory. Inconveniently, as Nicholas Wade argues in A Troublesome Inheritance, the...

Eye Movements and Vision
  • Language: en
  • Pages: 234

Eye Movements and Vision

  • Type: Book
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  • Published: 2013-11-11
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  • Publisher: Springer

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The Moving Tablet of the Eye
  • Language: en
  • Pages: 336

The Moving Tablet of the Eye

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

Eye movements are a vital part of our interaction with the world. They play a pivotal role in perception, cognition, and education. Research in this field is now proceeding at a considerable pace and casting new light on how the eyes move and what information we can derive during the frequentand brief periods of fixation. However, the origins of this work are less well known, even though much of our knowledge was derived from this research with far more primitive equipment. This book is unique in tracing the history of eye movement research. It shows how great strides were made in this area before modern recording devices were available, especially in the measurement of nystagmus. When photo...

The Motion Aftereffect
  • Language: en
  • Pages: 252

The Motion Aftereffect

  • Type: Book
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  • Published: 1998
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  • Publisher: MIT Press

Motion perception lies at the heart of the scientific study of vision. The motion aftereffect (MAE) is the appearance of directional movement in a stationary object or scene after the viewer has been exposed to viusal motion in the opposite direction. For example, after one has looked at a waterfall for a period of time, the scene beside the waterfall may appear to move upward when one's gaze is transfered to it. Although the phenomenon seems simple, research has revealed copmlexities in the underlying mechanisms, and offered general lessons about how the brain processes visual information. In the 1990s alone, more than 200 papers have been published on MAE, largely inspired by improved techniques for examining brain electrophysiology and by emerging new theories of motion perception.

Perception of Space and Motion
  • Language: en
  • Pages: 521

Perception of Space and Motion

  • Type: Book
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  • Published: 1995-09-15
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  • Publisher: Elsevier

During the past 25 years, the field of space and motion perception has rapidly advanced. Once thought to be distinct perceptual modes, space and motion are now thought to be closely linked. Perception of Space andMotion provides a comprehensive review of perception and vision research literature, including new developments in the use of sound and touch in perceiving space and motion. Other topics include the perception of structure from motion, spatial layout,and information obtained in static and dynamic stimulation.Spatial layoutStructure from motionInformation on static and dynamic stimulation (visual, acoustic, and haptic)

Vision and Art with Two Eyes
  • Language: en
  • Pages: 394

Vision and Art with Two Eyes

This book celebrates binocular vision by presenting illustrations that require two eyes to see the effects of cooperation and competition between them. Pictures are flat but by printing them in different colours and viewing them through similarly coloured filters (included with the hardcover book) they are brought to life either in stereoscopic depth or in rivalry with one another. They are called anaglyphs and all those in the book display the ways in which the eyes interact. Thus, the reader is an integral element in the book and not all readers will see the same things. The history, science and art of binocular vision can be experienced in ways that are not usually available to us and wit...

The Art and Science of Visual Illusions
  • Language: en
  • Pages: 360

The Art and Science of Visual Illusions

Verzameling in begeleidende teksten geanalyseerde afbeeldingen van optische verschijnselen, gesuggereerd in zowel geometrische vormen als in door de kunststroming uit de zestiger jaren Op Art gelanceerde grafiek in zwart-wit