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Neil Shawcross
Exhibition held at Ulster Museum, Belfast, 2 December, 2005 - 23 April, 2006.
Bloomington Days
Frat boys who think Mario Lanza is an Italian sports car; journalists who consider "Man arrested for blowing mucus from nose at an officer" a news story . . . Welcome to Bloomington: a world of grey cells and limestone, catfish and cheerleaders, binge drinking and bigots, Ockham's razor and buzz cuts. This is the tiny college town where Alfred Kinsey catalogued gall wasps before stinging a nation into belated sexual awareness. If you're gay or Greek, love opera or hoops, Bloomington is heaven on earth; we have as many same-sex couples as sorority sisters, as many divas as athletes. Welcome to my home, a quixotic mix of small-town life and larger than life campus, squirreled away in the flatlands of Middle America, where torpor is sometimes mistaken for nirvanic serenity, irony for insult and "ethnographic dazzle" for deep differences.
Forgetful Remembrance
Forgetful Remembrance examines the paradoxes of what actually happens when communities persistently endeavour to forget inconvenient events. The question of how a society attempts to obscure problematic historical episodes is addressed through a detailed case study grounded in the north-eastern counties of the Irish province of Ulster, where loyalist and unionist Protestants -- and in particular Presbyterians -- repeatedly tried to repress over two centuries discomfiting recollections of participation, alongside Catholics, in a republican rebellion in 1798. By exploring a rich variety of sources, Beiner makes it possible to closely follow the dynamics of social forgetting. His particular foc...
Down on Cyprus Avenue
In this new series from Paul Charles, formerly retired policeman Brendy McCusker is forced to return to work following his wife's flight to America with their nest-egg. On his first major case in Belfast he partners with DI Lily O'Carroll to locate the two missing sons of a wealthy businessman. But before that case is resolved, an American banker working in Belfast is brutally murdered down on leafy Cyprus Avenue and McCusker and O'Carroll are put on the case. While the list of suspects grows ever longer, McCusker find himself juggling his move to Belfast, O'Carroll's frequent blind dates, his status as a hired-back rent-a-cop, and being a single man while trying hard not to have his head tu...
The Course of Irish History
First published over forty years ago and now updated to cover the “Celtic Tiger” economic boom of the 2000s and subsequent worldwide recession, this new edition of a perennial bestseller interprets Irish history as a whole. Designed and written to be popular and authoritative, critical and balanced, it has been a core text in both Irish and American universities for decades. It has also proven to be an extremely popular book for casual readers with an interest in history and Irish affairs. Considered the definitive history among the Irish themselves, it is an essential text for anyone interested in the history of Ireland.
Who Fears to Speak of '98'?
The Rebellion of 1798 was one of the most crucial events in modern Irish history, and the bicentenary commemorations throughout Ireland in 1998 provided much new understanding of an issue that has, down the years, been as divisive as it has been formative. Peter Collins provides here an absorbing and sensitively handled account of the changing nature of how the rebellion has been commemorated over the last 200 years. A particularly helpful feature of this book is the detailed almanac it provides of the commemorative bicentary events held throughout the island of Ireland in 1998. They were notable not only for quality of their output but also, encouragingly, for their inclusivity. For the most part, this time commemoration of '98 was an activity in which people found a common purpose rather than the source of divisiveness it had tended to be in years gone by.
In the Chair
All of the poets interviewed in this collection are from Northern Ireland, all were born after 1920, and each has published at least one volume of poetry. Arranged chronologically by each poet's date of birth, this collection deals with an impressive body of work. The poets include Seamus Heaney, Paul Muldoon, Michael Longley, John Montague, Derek Mahon, Ciaran Carson, as well as less-known voices, including Gerald Dawe, Roy McFadden, and Conor O'Callaghan. The interviews explore the poet's work and development, the social/historical context, and the impact of assimilated influences. If they explore a poetry often rooted in "the North," they also suggest the individuality and diversity of this poetry, of work whose imaginative range is not circumscribed by either literal borders or critically convenient categories. The other poets included are: James Simmons, Tom Paulin, Frank Orsmby, Medbh McGuckian, Robert Greacen, Cathal P Searcaigh, Colette Bryce, Moyra Donaldson, Jean Bleakney, Martin Mooney, Padraic Fiacc, and Cherry Smyth.
Stepping Stones
The troubles of 1971 to 2001 saw Northern Ireland catapulted into the headlines across the world, yet during the dark years of violence there was an impressive, but much less reported, flourishing of creative energy. In this work a panel of writers comment on the artistic accomplishment of this extraordinary period. Inspired by "Causeway", Michael Longley's powerful collection of essays published in 1971, this volume records the highs and lows of the years 1971 to 2000 of northern theatre, poetry, fiction, visual arts and music, as well as discussing the work of internationally famous local figures like Nobel poet Seamus Heaney and Oscar-winning actors Liam Neeson and Stephen Rea. It celebrates the best in achievement, but also points out what was less successful and suggests how the various arts disciplines might develop in the years immediately ahead.
