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Chican@s: Our Background and Our Pride
Cuando Chicanos: Our Background and Our Pride de Nephtalí de León fue publicado por primera vez en 1972 fue prohibido por el Sistema Público de Bibliotecas de Dallas (Texas) y su autor fue «escoltado fuera» de la escuela a la que asistía (Lubbock High) por policías armados. En aquella época, la palabra «terrorista» no se utilizaba, pero fue acusado de «revolucionario». Esta obra apareció como acción y reacción contra las agencias de seguridad particularmente institucionalizadas de supremacía blanca. Este libro constituyó, y todavía constituye, una contribución pionera a un nuevo nacimiento trascendental: una nueva estética de un pueblo resucitado. En los Estados Unidos existe una guerra declarada contra los diez millones de chicanos y este libro es un testimonio del espíritu imperecedero de supervivencia en una lucha continua.
Grito Del Sol
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La Llorona
Nephtalí De León is a USA born and raised Chicano former migrant worker that became a Poet/Painter/Author/and Playwright. He has been published in several countries with his poetry translated into twelve languages. Growing up in the cauldron of borderland conflicts between USA and Mexico, by the edge of the river that divides both countries, the Rio Grande, he is no stranger to the myths, legends, and stories that form the world view of his multicultural native people. Present day native American migrants have been labeled and treated as strangers in their ancient homelands. Those who appropriated their lands now call them illegals, undocumented invaders. They administer their presence wit...
Civil Rights in Black and Brown
Not one but two civil rights movements flourished in mid-twentieth century Texas, and they did so in intimate conversation with one another. Far from the gaze of the national media, African American and Mexican American activists combated the twin caste systems of Jim Crow and Juan Crow. These insurgents worked chiefly within their own racial groups, yet they also looked to each other for guidance and, at times, came together in solidarity. The movements sought more than integration and access: they demanded power and justice. Civil Rights in Black and Brown draws on more than 500 oral history interviews newly collected across Texas, from the Panhandle to the Piney Woods and everywhere in between. The testimonies speak in detail to the structure of racism in small towns and huge metropolises—both the everyday grind of segregation and the haunting acts of racial violence that upheld Texas’s state-sanctioned systems of white supremacy. Through their memories of resistance and revolution, the activists reveal previously undocumented struggles for equity, as well as the links Black and Chicanx organizers forged in their efforts to achieve self-determination.
Aztlán and Viet Nam
A collection of writings that explores the experiences of Mexican-Americans during the Vietnam War, both on the warfront and at home; featuring over sixty short stories, poems, speeches, and articles.
Arte Chicano
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The Art of Maria Tomasula
Maria Tomasula’s still life paintings are absolutely captivating, dramatizing luscious objects of saturated colors and meticulous details through the spotlight effect against a dark backdrop. Beyond their immediate appeal, however, the still lifes usually contain disturbing features such as flowers being sharply pierced by hooks and nails or isolated body parts such as bones and organs that seem to be fiercely alive. Although the pictures are materialistically appealing due to the illusionistic style of the artist, they lend themselves to a depth of iconography that has not been accounted for in previous writings on her art. This book is the first comprehensive monograph on Tomasula (b. 19...
Chicano Timespace
The premature death of Ricardo Sánchez in 1995 marked the passing of an almost legendary figure in Chicano literature and in the Chicano political movement. A troubadour of Chicano Movement poetry, he established an anti-aesthetic that became the norm. Sánchez's autobiographical poetry forges a link between genres of the past and present and establishes him as the first great tragic figure of contemporary Chicano literature.In a body of work that spanned spatial, temporal, and cultural boundaries, Sánchez dealt with issues of power and of linguistic and cultural barriers between Anglo, Native American, and Mexican American peoples in the United States.While he lived, critics showed reluct...
