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“Will inspire, inform, and delight those of any age who areengaged in—or by—the arts.” — The Horn Book Renowned children’s literature authority Leonard S. Marcus speaks with twenty-one of the world’s most celebrated illustrators of picture books, asking about their childhood, their inspiration, their creative choices, and more. Amplifying these richly entertaining and thought-provoking conversations are eighty-eight full- color plates revealing each illustrator’s artistic process in fascinating, behind- the-scenes detail. This inspiring collection confirms that picture books matter because they make a difference in our children’s lives.
In the first edition of Beyond Leveled Books, Franki Sibberson and Karen Szymusiak, offered a much-needed perspective on moving transitional readers from the basic supports of leveling to independent book selection. Seven years later, drawing on their continued research and expanding roles as authors and literacy consultants, Franki and Karen, along with colleague Lisa Koch, present a new updated and expanded edition of this "useful and eye-opening book." Education Reviews, 2001] In Beyond Leveled Books, Second Edition the authors provide even more resources to help teachers understand and meet the needs of transitional readers. The key topic of series books has been revised and enlarged, wi...
Literary histories, of course, do not have a reason for being unless there exists the literature itself. This volume, perhaps more than others of its kind, is an expression of appreciation for the talented and dedicated literary artists who ignored the odds, avoided temptations to write for popularity or prestige, and chose to write honestly about the American West, believing that experiences long knowns to be of historical importance are also experiences that need and deserve a literature of importance.
A collection of book reviews and essays on more than forty modern American poets.
Argues that if poems are to matter in American culture, they must be read rather than theorized over.
Collected interviews with the renowned science fiction and fantasy writer known for The Left Hand of Darkness, The Dispossessed, The Lathe of Heaven, and the Earthsea sequence of novels and stories
Of the many themes occurring in young adult literature, one that bears more extensive exploration is the adolescent-animal connection. Although substantial critical commentary has addressed children's animal stories and animals in adult fiction, very few studies have been devoted to adolescent-animal encounters. In Animals in Young Adult Fiction, Walter Hogan examines several hundred novels and stories to explore the ways in which animals are represented in these works. In additional to providing an historical survey, Hogan looks at both realistic fiction and speculative works, including fantasy, supernatural, horror, and science fiction. Hogan reviews stories that feature wild animal encounters, stories centered on relationships with horses, dogs, and other working and performing animals, and those featuring relationships with pets. Drawing upon established scholarship, this book examines human-animal relationships from multiple angles, making it an invaluable resource for librarians, teachers, and students of children's and young adult literature.
The four books making up The Immortals are the 5th - 8th (of 15) novels set in Tortall, and introduce the' Wildmage', Veralidaine Sarrasri, who appears in most later novels in the Tortall series. The Notes in this book cover Tamora Pierce's life and work; the world of Tortall (including the geography, cast, and neighbouring cultures); the strange menagerie of immortal creatures who may be friend or foe; and the pantheon of interfering multicultural god/desse/s. The well-illustrated Annotations pay special attention to the many animals who feature, cultural and historical references, and the major thematic issues that develop throughout the quartet. Wild Magic, Wolf-Speaker, The Emperor Mage,...
"There have been any number of books of interviews with contemporary writers, but none precisely like this one. The author/editor has somehow managed to get these very different poets to follow his lead and (in many cases for the first time anywhere) to reveal much about their intellectual habits, assumptions, and preconceptions. In almost every case he has been able to get these poets to talk more openly and freely than anyone else has ever done."--George Garrett