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GREAT I
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Holding Patterns
Argues that if poems are to matter in American culture, they must be read rather than theorized over.
Winds of Change
The winds of change are blowing over Africa, and South Africa, the last bastion of white supremacy, refuses to give up its unjust policy of Apartheid in the midst of international pressure and internal conflict. It is the late seventies and Father Christopher Wright one of the few ‘coloured priests’ in Cape Town meets a pregnant Joanna Poggenpoel, a simple coloured country girl working as housekeeper for Fr Patrick O’Shaunessy, a white priest, a missionary from Ireland. This sets off a wave of intricate events and relationships across the racial, religious and political divide bringing together whites, blacks, coloureds and every one in between as crimes unfold and forbidden liaisons are formed. What unfolds is unimaginable and will shock you, but at the same time the characters in Winds of Change will make you laugh and cry.
In the Frame
The subject of In the Frame is poetic ekphrasis: poems whose starting point or source of inspiration is a work of visual art. The authors of these sixteen essays, several of whom are poets as well as critics, have a twofold purpose: calling attention to the contribution women poets have made to this important genre of poetic writing and re-thinking ekphrastic poetry's motives and purposes. From Marianne Moore and Elizabeth Bishop to Mary Jo Salter, C. D. Wright, and Susan Wheeler, many of our best women poets have done important work in this genre, and when they describe, confront, or speak for an image that is itself wordless, their motives are not only formal but aesthetic. Their poems also raise important questions, from a perspective that is often, but not always, gender-inflected about how art is made and displayed, experienced and valued, celebrated and commodified. Jane Hedley is K. Laurence Stapleton Professor of English at Bryn Mawr College. Willard Spiegelman is the Hughes Professor of English at Southern Methodist University, and editor-in-chief of the Southwest Review. Nick Halpem is an associate professor in the English Department at North Carolina State University.
The Antioch Review
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