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A dictionary of books relating to America
Reprint of the original, first published in 1871.
Dictionary of Books, relating to America, From its Discovery to the Present Time
Reprint of the original, first published in 1871.
Hampton Institute
Compiled by Mentor A. Howe and Roscoe E. Lewis.
The Grimké Sisters from South Carolina
A landmark work of women's history originally published in 1967, Gerda Lerner's best-selling biography of Sarah and Angelina Grimke explores the lives and ideas of the only southern women to become antislavery agents in the North and pioneers for women's rights. This revised and expanded edition includes two new primary documents and an additional essay by Lerner. In a revised introduction Lerner reinterprets her own work nearly forty years later and gives new recognition to the major significance of Sarah Grimke's feminist writings.
Outlaws of the Atlantic
Outlaws of the Atlantic turns maritime history upside down, exploring the dramatic world of seafaring adventure, not from the perspective of admirals, merchants and other builders of empire, but rather from the point-of-view of common people whose labors made that world possible-sailors, slaves, indentured servants, pirates and other outlaws, whose formative experiences at sea are brought together for the first time. Against long-dominant national histories, this book shows that important historical processes transpired on the vast, nationless commons called the sea: the rise of capitalism, the formation of race and class, and the creation, from below, of oppositional cultures that promised more just and democratic ways of life.
The Amistad Revolt
From journalism and lectures to drama, visual art, and the Spielberg film, this study ranges across the varied cultural reactions--in America and Sierra Leone--engendered by the 1839 Amistad slave ship revolt. Iyunolu Folayan Osagie is a native of Sierra Leone, from where the Amistad's cargo of slaves originated. She digs deeply into the Amistad story to show the historical and contemporary relevance of the incident and its subsequent trials. At the same time, she shows how the incident has contributed to the construction of national and cultural identity both in Africa and the African diasporo in America--though in intriguingly different ways. This pioneering work of comparative African and American cultural criticism shows how creative arts have both confirmed and fostered the significance of the Amistad revolt in contemporary racial discourse and in the collective memories of both countries.
