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A HUMAN VENTURE
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The Puritan Ordeal
This book is about the experience of becoming American in the seventeenth century. It has in some respects the appearance of a study in intellectual history, but I prefer to think of it as a contribution to the history of what the Puritans called affections. My hope is to help advance our understanding not of ideas so much as of feeling-specifically of the affective life of some of the men and women who emigrated to New England more than three hundred fifty years ago, but also of the persistent sense of renewal and risk that has attended the project of becoming American ever since.
Anatole Litvak
During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur. Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These f...
American Epic
"The United States is the only nation in the world in which political leaders, judges and soldiers all swear allegiance not to a king or a people but to a document, the Constitution. The Constitution today, however, is much revered but little read. . Readers of AMERICAN EPIC will never think of the Constitution in quite the same way again. Garrett Epps, a legal scholar who is also a journalist and writer of prize-winning fiction, takes readers on a literary tour of the Constitution, finding in it much that is interesting, puzzling, praiseworthy, and sometimes hilarious. Reading the Constitution like a literary work yields a host of meanings that shed new light on what it means to be an American"--
Templars in America
Templars in America explodes the myth that Columbus was the first European to discover the Americas. Using archival and archaeological sources, Tim Wallace-Murphy and Marilyn Hopkins reveal the Venetian connection between the Knights Templar and pre-Columbian America and prove the continuous history of such exploration from the time of ancient Egypt, Greece, and Rome, through the Viking explorations. Told in fascinating detail, this story takes as many twists and turns as a historical mystery novel. Templars in America takes readers through the many possible early explorations of America, which set the stage for the real mystery: the tale of how various dealings between Venice and Normandy r...
Library List
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The Soul of Creative Writing
"I have a faith in language," said the poet W. S. Merwin. "It's the ultimate achievement that we as a species have evolved so far." Language is a deep ocean of living words, as varied as undersea life. It is a gift inherited by each person when he or she is born; it can be corrupted and regulated, but it cannot be owned. It is an enormous, complex, inexhaustible gift. The Soul of Creative Writing is a tribute to language and to its potentials. It explores the elements of language, style, rhythm, sound, and the choice of the right word. Richard Goodman paints an image of how language can produce a life and meaning that otherwise cannot exist in the symbols themselves. Goodman's stunningly cre...
Operas in English
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive t...
