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Bloodaxe's "house" anthology was first published to mark the press's tenth anniversary in 1988. This was a 320-page anthology. A revised, second edition appeared in 1993, with the same ISBN, expanded to 384 pages.With its bold, uncompromising "stable" of new and established British, Irish, American and European writers, Bloodaxe has revolutionised poetry publishing in Britain. Bloodaxe poets can't be labelled. They are all different, and they include some of the major writers of our time: Irina Ratushinskaya, Miroslav Holub, Tony Harrison, Denise Levertov, R.S. Thomas, Kamau Brathwaite, Marin Sorescu and Tomas Tranströmer. But if you want a definition of 'poetry with an edge', the poems in...
A collection of essays on Elizabeth Bishop drawing on work presented at the first UK Elizabeth Bishop confrence, held at Newcastle University. It brings together papers by both academic critics and leading poets, including Michael Donaghy, Vicki Feaver, Deryn Rees-jones and Anne Stevenson.
In her three lectures, Hirshfield examines the roles of hiddenness, uncertainty and surprise as they appear in poetry and other works of literature, in the life and psyche of the writer, and in the broader life of the culture as a whole.
Presents a collection of poems by black and Asian writers.
In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. Ruth Padel's lectures link metaphor to silence and white space on a page. Equating a poem's music with its politics, she explores tone, register and harmony, suggesting that how poems hold our "attention" is through "tension". Finally, she investigates what it means for poems that they are "given to" other people. With her trademark...
Gathering poems from Shakespeare to the present, Don't Bring Me No Rocking Chair addresses aging through the several ages of poetry. Poetry can help to give us a fresh language to think about aging and these poems are chosen to fortify, celebrate, lament, grieve, rage, and ridicule.
In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. Gwyneth Lewis's three lectures explore the connection linking form and politics with the content of poetry while exploring how each of these changes our understanding of time. She argues that the poet steers a path between making music and making sense - not at the level of the line, but in the deep structures of meaning which are p...
In this innovative series of public lectures at the University of Newcastle upon Tyne, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. Carol Rumens' three lectures cover the poetry of Philip Larkin and Derek Mahon as well as form and music in the work of a range of contemporary women poets. Forget What Did? Philip Larkin's "Poems of Lost Childhood": What made this strange, sometimes unattractive personality a powerful poet? Putting aside the politi...
When we're ill we're forced to recognize that we've become another person, frail and mortal. The adjustment is painful. This anthology of poems supplies images and emotions that help us to accept our inexpressible vulnerability.
After a heated argument with his father, Branford Bulls player Mark Fisher is surprised to find that he misses his dad's overly-enthusiastic cheering at his games and practices.