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Drawing from the Modern
Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.
The Abstract Impulse
Comprised of nearly fifty paintings, sculptures and works on paper, The Abstract Impulse highlights artists in such critical movements as Abstract Expressionism, Minimalism, and Op Art. Artists who are included are such canonical figures as Robert Motherwell, Jasper Johns, Helen Frankenthaler, and Robert Mangold among others. This publication, together with its coinciding exhibition, seeks to unveil the pluralistic ways in which abstraction developed after 1950, which will be revealed by the grouping of the works stylistically and thematically into three general sections: gesture, geometry, and introspection.
Ida Kohlmeyer
Ida Kohlmeyer's unique talent evolved from her student years under Hans Hoffmann in the 50's abstract expressionist movement to the cluster series in the 1970s. This beautifully illustrated monograph is the first collection of her paintings and sculpture since her death in 1997. 104 colour plates
The Figurative Fifties
This exhibition catalog examines the figurative aspects of New York School painting at the height of abstract expressionism. It represents 13 artists who countered the prevailing abstract mode in favor of the figure. The volume also includes four informative essays that elucidate the illustrations, and provides a list of exhibits for each artist from 1950 to 1965. ISBN 0-8478-0942-0: $37.50 (For use only in the library).
Museums and Public Art?
While many museums have ignored public art as a distinct arena of art production and display, others have – either grudgingly or enthusiastically – embraced it. Some institutions have partnered with public art agencies to expand the scope of special exhibitions; other museums have attempted to establish in-house public art programs. This is the first book to contextualize the collaborations between museums and public art through a range of essays marked by their coherence of topical focus, written by leading and emerging scholars and artists. Organized into three sections it represents a major contribution to the field of art history in general, and to those of public art and museum stud...
Saul Steinberg
Best known for his barbed and brilliant art for "The New Yorker," Saul Steinberg (1914-1999) turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-century art.
William Wegman
An examination of William Wegman and how he transposes images of daily life to reflect both beauty and absurdity.
Jeff Koons
With over 200 illustrations of iconic works as well as preparatory studies and historic photographs, this book offers fresh insight into Koons’s polarizing and influential career.
Seizing the Light
The definitive history of photography book, Seizing the Light: A Social & Aesthetic History of Photography delivers the fascinating story of how photography as an art form came into being, and its continued development, maturity, and transformation. Covering major events, practitioners, works, and social effects of photographic practice, author Robert Hirsch provides a concise and discerning chronological account of photography, drawing on examples from across the world. This fundamental starting place shows the diversity of makers, inventors, issues, and applications, exploring the artistic, critical, and social aspects of the creative thinking process. This new edition has been fully revis...
Rethinking Arshile Gorky
A reexamination of the art of Arshile Gorky (1904-1948), and an exploration of his role in the development of modern abstraction in America.
