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Award-winning and best-sellling, Mau Moko is the closest there has ever been to a 'complete' book on moko. It has finally been reprinted for the first time in a decade.
"There is always a special feeling I get when I read a book written by a Maori about being Maori, where the world is described through eyes that are my eyes - the people, the humour, the sadness and the occasions are familiar parts of my life - and Tahuri is such a book." -Books for Secondary School Libraries
A collection of traditional Maori stories presented alongside retellings that are beautiful and fresh and sometimes shocking in their audaciousness.
Author has been involved in Maori feminist & gay issues for more than 20 years - a collection of her memories, speeches, articles & essays.
A lively, stimulating and engaging retelling of purakau - Maori myths - by contemporary Maori writers. Ka mua, ka muri . . . Ancient Maori creation myths, portrayals of larger-than-life heroes and tales of engrossing magical beings have endured through the ages. Some hail back to Hawaiki, some are firmly grounded in New Zealand and its landscape. Through countless generations, the stories have been reshaped and passed on. This new collection presents a wide range of traditional myths that have been retold by some of our best Maori wordsmiths. The writers have added their own creativity, perspectives and sometimes wonderfully unexpected twists, bringing new life and energy to these rich, spel...
"In the void of time, Kurangaituku, the bird-woman, tells the story of her extraordinary Life - the birds who first sang her into being, the arrival of the Song Makers and the change they brought to her world, her life with the young man Hatupatu, and her death. But death does not end a creature of imagination like Kurangaituku. In the underworlds of Rarohenga, she continues to live in the many stories she collects as she pursues what eluded her in life. This is a story of love - but is this love something that creates or destroys? Kurangaituku is a contemporary retelling of the story of Hatupatu from the perspective of the traditional 'monster'- bird-woman Kurangaituku. For centuries, her voice has been absent from the story, and now, Kurangaituku means to claim it"--Unnumbered page 1.
Filling a significant gap in the cross-cultural and cross-disciplinary literature within the field of Pasifika (Polynesian) and Maori identities and mental health, this volume focuses on bridging mental health related research and practice within the indigenous communities of the South Pacific. Much of the content reflects both differences from and relationships with the dominant Western theories and practices so often unsuccessfully applied with these groups. The contributors represent both experienced researchers and practitioners and address topics such as research examining traditional and emerging Pasifika identities; contemporary research and practice in working with Pasifika youth and...
From revered established writers as well as exciting new voices, the poems in Puna Wai Korero offer a broad picture of Maori poetry in English. The voices are many and diverse: confident, angry, traditional, respectful, experimental, despairing and full of hope, expressing a range of poetic techniques and the full scope of what it is to be Maori.
Anthropologists of the senses have long argued that cultures differ in their sensory registers. This groundbreaking volume applies this idea to material culture and the social practices that endow objects with meanings in both colonial and postcolonial relationships. It challenges the privileged position of the sense of vision in the analysis of material culture. Contributors argue that vision can only be understood in relation to the other senses. In this they present another challenge to the assumed western five-sense model, and show how our understanding of material culture in both historical and contemporary contexts might be reconfigured if we consider the role of smell, taste, touch and sound, as well as sight, in making meanings about objects.
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