You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Recent scholarly work on nationalism has revealed the importance of the nation imagined as a community. The subjects of these works, however, have been largely political speeches, polemical essays, and radical journalism. Missing has been the one literary genre where the individual's commitment to the imagining of the nation is most explicitly addressed: autobiography. In looking critically at eight autobiographical works, all concerned in one way or another with the question of what it means to be an Indonesian in the twentieth century, C.W. Watson demonstrates the value of reading autobiographies as accounts of nation-building. Opening with a critique of a turn-of-the-century collection of...
"Perhaps we shall never know the truth about Indonesia's failed (supposedly Communist) coup of 1965. But the consequences were clear: the fall of President Sukarno and rise to power of General Suharto plus violent suppression of all "Communist" organizations. In the process a half million lives were lost." "This book analyses Indonesian literature produced during the New Order period dealing with the events of 1965-1966 and its consequences. It examines the political coercion that people were subjected to and how the authors deal with the taboo subject of the killings. It also considers how the Communist Party was seen and discusses the underlying reasons for why the fictional characters act as they do. Crucial here is the influence of Javanese culture and the significance of President Sukarno's political concept of Nasakom." "This is the first book-length study presenting the alternative version found in Indonesian literature of the events of 1965-1966. It also demonstrates that the concerns and perceptions of Indonesian writers differ sharply from those of Westerners."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Indonesia is the world’s largest archipelago, encompassing nearly eighteen thousand islands. The fourth-most populous nation in the world, it has a larger Muslim population than any other. The Indonesia Reader is a unique introduction to this extraordinary country. Assembled for the traveler, student, and expert alike, the Reader includes more than 150 selections: journalists’ articles, explorers’ chronicles, photographs, poetry, stories, cartoons, drawings, letters, speeches, and more. Many pieces are by Indonesians; some are translated into English for the first time. All have introductions by the volume’s editors. Well-known figures such as Indonesia’s acclaimed novelist Pramoed...
Zusammenfassung: This is an open access book. Research and teaching activities in the fields of language, literature and culture are still being carried out even during the Covid -19 era that hit the world. It is undeniable that the results of research and learning of language, literature and culture at this time were a bit hindered because most activities were carried out from home. During the Covid-19 period, which started in early 2020, practically more activities were done at home. Likewise, institutions during the Covid-19 era were carried out online. For example, the Language Agency continues to carry out activities, but it is carried out online, such as online webinars that contribute...
In the discourse of Indonesian literature history, the relationship between literature and politics is pressing issue, a situation that cannot be easily to overcome. A long time ago, during the Dutch colonial government, there was a rule that literature should not discuss ideology, religion, and politics. This colonial policy lasts and never changes even though Indonesia was already get its independence. Thats why Indonesian literary society and writers have a strong believe that literature must not be involved in politics and it must not have any moral and political goals. Literature cannot be related to real-life directly because literature is only a fictional work. The historical aspects ...
If Only is a memoir of a nine year old Chinese Indonesian girl growing up in Jakarta in the 1950–60’s. She lost her mother who dies after the sixth attempt to bear a son. If she were a boy, her mother would still be alive. This accusation has tormented her all her life. When her cousin physically assaulted her, her father who despises his five daughters didn’t take any action. Her repressed anger causes, years later, cancer. She overcomes the traumatic and difficult youth by her love of reading. Although coming from a dysfunctional family, she later becomes one of the most popular romance writers in the country. This is her first non-fiction.
Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importanc...
This book investigates tourism as a form of globalization within the context of the island of Bali, which has been voted the world's top island destination for the third time running by American travellers. The volume covers the onset of the Asian Crisis, the largest stock-market crash since the Great Depression. The authors chart the turbulence that has afflicted the island at a time of market uncertainty and global political strife and analyze the responses of Bali's business and community leaders to the crises that have buffeted the island since the fall of Suharto. In particular, the book analyzes crisis management with regard to the Bali Bombings, the impact of the bombings on the tourism development cycle and investigates the motives of the bombers. The authors argue that the actions of the bombers can best be understood with regard to the rise of political Islam as a global issue and the book breaks new ground with an analysis of the bombers' global experiences. The book also examines home-grown resistance to certain aspects of globalization, notably the attempt to turn Besakih, the island's mother temple, into a World Heritage Site and top tourist destination.
Mayasari-Hoffert examines the depiction of the Left in Indonesian literature since the anti-leftist purge in 1965. With close textual analysis of Indonesian literary texts and their political context, this book investigates how the New Order regime under Suharto was able to build a metanarrative of liberation while purging the Left in Indonesia. Even after the regime’s end in 1998, many Indonesians still have an ingrained fear of the prospect of Communism, with the result being that literary representation of the Left is still seen as problematic. Through reviewing Indonesia’s institution of literature, the use and abuse of universal humanism under the New Order regime is examined, and the ways in which power intersects with literature is explored. An informative read for scholars and students of Indonesian politics, literature, and the cultural cold war.