Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Nikolai Evreinov & Others
"In 1920, the third anniversary of the October Revolution, The Storming of the Winter Palace was performed with a cast of 10,000. The mass spectacle, directed by Nikolai Evreinov, was a kind of false, deceptive reenactment. It was intended to recall something--the storming of the Winter Palace as the beginning of the revolution--that it itself produced as a theatrical medium. This volume reconstructs the event with texts, photographs, and drawings, and shows how not only in the Soviet Union did the photograph of the theatrical "storming" became a historical document of the October Revolution."--Page 4 of cover.
The Years of O'Casey, 1921-1926
This documentary history covers a period of Irish political and dramatic climax that had an impact not only on the nation, but on the world as well. During these years both Ireland and its major theater attained a position, however precarious, of stability. De Valera and the Republicans laid down their arms and entered politics, while, by a state subsidy, the Abbey was formally recognized as the Irish National Theatre. The importance of these years goes far beyond Ireland itself because the Irish masterpieces of Sean O'Casey - The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars - made an impact upon world drama nearly as profound as that of Luigi Pirandello or of Eugen...
The Steps of Nemesis
None
The Theatre in Life
None
A Sociology of the Absurd
This work provides a crystallization and particularization of a school of sociological thinking variously called "creative sociology," "existential sociology," "phenomenological sociology," "conflict theory," and "dramaturgical analysis." The result is a methodological synthesis of the "dual" visions of Erving Goffman and Harold Garfinkel. This book equips the reader with a framework for providing adequate descriptions of those face-to-face encounters that make up everyday life. This edition includes essays not found in the first edition, as well as a new introduction that locates it in the spectrum of contemporary theorizing.
The Court of the Last Tsar
It was the most magnificent court in Europe—a world of fairy-tale opulence, ornate architecture, sophisticated fashion, extravagant luxury, and immense power. In the last Russian imperial court, a potent underlying mythology drove its participants to enact the pageantry of medieval, Orthodox Russia—infused with the sensibilities of Versailles—against a backdrop of fading Edwardian splendor, providing a spectacle of archaic ceremonies carefully orchestrated as a lavish stage upon which Nicholas II played out his tumultuous reign. While a massive body of literature has been devoted to the last of the Romanovs, The Court of the Last Tsar is the first book to examine the people, mysteries,...
Nicholas Roerich
Russian painter, explorer, and mystic Nicholas Roerich (1874–1947) ranks as one of the twentieth century’s great enigmas. Despite mystery and scandal, he left a deep, if understudied, cultural imprint on Russia, Europe, India, and America. As a painter and set designer Roerich was a key figure in Russian art. He became a major player in Diaghilev’s Ballets Russes, and with Igor Stravinsky he cocreated The Rite of Spring, a landmark work in the emergence of artistic modernity. His art, his adventures, and his peace activism earned the friendship and admiration of such diverse luminaries as Albert Einstein, Eleanor Roosevelt, H. G. Wells, Jawaharlal Nehru, Raisa Gorbacheva, and H. P. Lov...
The Cambridge Companion to Modern Russian Culture
A fully updated new edition of this overview of contemporary Russia and the influence of its Soviet past.
The Frightful Stage
In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class's time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.
Psychomotor Aesthetics
In the late 19th century, modern psychology emerged as a discipline, shaking off metaphysical notions of the soul in favor of a more scientific, neurophysiological concept of the mind. Laboratories began to introduce instruments and procedures which examined bodily markers of psychological experiences, like muscle contractions and changes in vital signs. Along with these changes in the scientific realm came a newfound interest in physiological psychology within the arts - particularly with the new perception of artwork as stimuli, able to induce specific affective experiences. In Psychomotor Aesthetics, author Ana Hedberg Olenina explores the effects of physiological psychology on art at the...
