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The Motion Aftereffect
Motion perception lies at the heart of the scientific study of vision. The motion aftereffect (MAE) is the appearance of directional movement in a stationary object or scene after the viewer has been exposed to viusal motion in the opposite direction. For example, after one has looked at a waterfall for a period of time, the scene beside the waterfall may appear to move upward when one's gaze is transfered to it. Although the phenomenon seems simple, research has revealed copmlexities in the underlying mechanisms, and offered general lessons about how the brain processes visual information. In the 1990s alone, more than 200 papers have been published on MAE, largely inspired by improved techniques for examining brain electrophysiology and by emerging new theories of motion perception.
Programming Visual Illusions for Everyone
If you find visual illusions fascinating Programming Visual Illusions for Everyone is a book for you. It has some background, some history and some theories about visual illusions, and it describes in some detail twelve illusions. Some are about surfaces, some are about apparent size of objects, some are about colour and some involve movement. This is only one aspect of the book. The other is to show you how you can create these effects on any computer. The book includes a brief introduction to a powerful programming language called Python. No previous experience with programming is necessary. There is also an introduction to a package called PsychoPy that makes it easy to draw on a computer screen. It is perfectly ok if you have never heard the names Python or PsychoPy before. Python is a modern and easy-to-read language, and PsychoPy takes care of all the graphical aspects of drawing on a screen and also interacting with a computer. By the way, both Python and PsychoPy are absolutely free. Is this a book about illusions or about programming? It is both!
Art and Illusionists
We delight in using our eyes, particularly when puzzling over pictures. Art and illusionists is a celebration of pictures and the multiple modes of manipulating them to produce illusory worlds on flat surfaces. This has proved fascinating to humankind since the dawning of depiction. Art and illusionists is also a celebration of the ways we see pictures, and of our ability to distil meaning from arrays of contours and colours. Pictures are not only a source of fascination for artists, who produce them, but also for scientists, who analyse the perceptual effects they induce. Illusions provide the glue to cement the art and science of vision. Painters plumb the art of observation itself whereas...
The Motion Aftereffect
Motion perception lies at the heart of the scientific study of vision. The motion aftereffect (MAE), probably the best known phenomenon in the study of visual illusions, is the appearance of directional movement in a stationary object or scene after the viewer has been exposed to visual motion in the opposite direction. For example, after one has looked at a waterfall for a period of time, the scene beside the waterfall may appear to move upward when ones gaze is transferred to it. Although the phenomenon seems simple, research has revealed surprising complexities in the underlying mechanisms, and offered general lessons about how the brain processes visual information. In the last decade al...
The Psychology of Visual Art
A contemporary and interdisciplinary perspective on the study of art, connecting and integrating ideas from across the humanities and sciences.
Perception and Illusion
Our contact with the world is through perception, and therefore the study of the process is of obvious importance and signi?cance. For much of its long history, the study of perception has been con?ned to natural- tic observation. Nonetheless, the phenomena considered worthy of note have not been those that nurture our survival—the veridical features of perception—but the oddities or departures from the common and c- monplace accuracies of perception. With the move from the natural world to the laboratory the oddities of perception multiplied, and they received ever more detailed scrutiny. My general intention is to examine the interpretations of the perc- tual process and its errors throughout history. The emphasis on errors of perception might appear to be a narrow approach, but in fact it enc- passes virtually all perceptual research from the ancients until the present. The constancies of perception have been taken for granted whereas - partures from constancies (errors or illusions) have fostered fascination.
Visual Perception
Does the world appear the same to everyone? Does what we know determine what we see? Why do we see the world as we do? Vision is our most dominant sense. From the light that enters our eyes to the complex cognitive processes that follow, we derive most of our information about what things are, where they are, and how they move from our vision. Visual Perception takes a refreshingly different approach to this enigmatic sense. From the function that vision serves for an active observer, to the history of visual perception itself the third edition has been extensively revised, updated and expanded, while still preserving the essential features of historical context, neurophysiology and independ...
Visual Perception
Vision is our most dominant sense. From the light that enters our eyes to the complex cognititve provesses that follow, we derive most of our information about what thigns are, where they are and how they move from our vision.
Binocular Rivalry
Recent work on perceptual ambiguity and its implications for the correlation between neural events and perceptual experience. Researchers today in neuroscience and cognitive psychology increasingly turn their attention to binocular rivalry and other forms of perceptual ambiguity or bistability. The study of fluctuations in visual perception in the face of unchanging visual input offers a means for understanding the link between neural events and visual events, including visual awareness. Some neuroscientists believe that binocular rivalry reveals a fundamental aspect of human cognition and provides a way to isolate and study brain areas involved in attention and selection. The eighteen essay...
