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Where Are the Voices Coming From?
This collection of essays focuses on Canadian history and its legacies as represented in novels and films in English and French, produced in Canada mainly in the 1980s and 1990s. The approach is both cross-cultural and interdisciplinary, aiming at articulating Canadian differences through a comparison of anglophone and francophone cultures, illustrated by works treating some of the different groups which make up Canadian society – English-Canadian, Québecois, Acadian, Native, and ethnic minorities. The emphasis is on the problematic representation of Canadianness, which is closely bound up with constructions of history and its legacies – dispossession, criminality, nomadism, Gothicism, ...
Slippery Pastimes
Sixteen essays, written by specialists from many fields, grapple with the problem of a popular culture that is not very popular — but is seen by most as vital to the body politic, whether endangered by globalization or capable of politically progressive messages for its audiences. Slippery Pastimes covers a variety of topics: Canadian popular music from rock ’n’ roll to country, hip-hop to pop-Celtic; television; advertising; tourism; sport and even postage stamps! As co-editors, Nicks and Sloniowski have taken an open view of the Canadian Popular, and contributors have approached their topics from a variety of perspectives, including cultural studies, women’s studies, film studies, sociology and communication studies. The essays are accessibly written for undergraduate students and interested general readers.
Taking Funny Music Seriously
Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and ...
The World of Niagara Wine
The World of Niagara Wine is a transdisciplinary exploration of the Niagara wine industry. In the first section, contributors explore the history and regulation of wine production as well as its contemporary economic significance. The second section focuses on the entrepreneurship behind and the promotion and marketing of Niagara wines. The third introduces readers to the science of grape growing, wine tasting, and wine production, and the final section examines the social and cultural ramifications of Niagara’s increasing reliance on grapes and wine as an economic motor for the region. The original research in this book celebrates and critiques the local wine industry and situates it in a complex web of Old World traditions and New World reliance on technology, science, and taste as well as global processes and local sociocultural reactions. Preface by Konrad Ejbich.
Professionalism and Public Service
The contributors to this volume trace the evolution of public administration institutions and explore issues such as the protection and improvement of the public service, recent innovations in the area of service delivery, and how this has created increased legitimacy and recognition from citizens.
Rock Music Icons
The music, performances, and cultural impact of some of the most enduring figures in popular music are explored in Rock Music Icons: Musical and Cultural Impacts. This collection investigates authenticity, identity, and the power of the voices and images of widely circulated and shared artists that have become the soundtrack of our lives.
Keep on Believin’
One of America’s great rock and roll pioneers, Richie Furay played alongside Neil Young and Stephen Stills in Buffalo Springfield, producing some of the signature sounds of American folk rock. He went on to form Poco, one of the bands that founded California country rock, and then Souther-Hillman-Furay. After declaring himself a Christian in 1974, Furay released four solo albums before taking up the ministry in 1983. He began recording again in 1997, and over the next twenty-five years he released two Christian and five secular albums. In this biography of Rock & Roll Hall of Famer Richie Furay, Thomas Kitts provides an intimate look at Furay’s life and music. Kitts chronicles the musici...
Finding Fogerty
Essays on the 50-year career of American songwriter and composer, John Fogarty, which argue for hus musical and cultural significance.
Woodstock University
Woodstock University addresses the educational interface of 1969’s iconic Woodstock Festival, as a number of its attendees and performers would later become academics 'with a touch of gray,' and it also considers the role of music in Woodstock’s legacy as the embodiment of 1960s countercultural idealism, escapism, and activism. A self-mythologizing event, as indicated by congratulatory stage announcements, Woodstock made a real-time claim for its own historic importance. Elevated by its remarkable (and in some cases doctored) audio, celluloid, and oral history afterlives, Woodstock would enhance the aura of rock star celebrity, and in the process expose the counterculture as a cash cow and weaponize the machinery of corporate rock. The essays in this collection are the participant observations of performers and attendees of Woodstock and related festivals, and also the reflections of cultural historians on aspects of the festival, its representation, and its ambiguous legacy. The chapters in this book were originally published as a special issue of the journal Popular Music and Society.
Myth and Magic in Heavy Metal Music
Myth pervades heavy metal. With visual elements drawn from medieval and horror cinema, the genre's themes of chaos, dissidence and alienation transmit an image of Promethean rebellion against the conventional. In dialogue with the modern world, heavy metal draws imaginatively on myth and folklore to construct an aesthetic and worldview embraced by a vast global audience. The author explores the music of Black Sabbath, Iron Maiden, Judas Priest, Metallica and many others from a mythological and literary perspective.
