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Unmade Beds
A voyeuristic look at the New York singles scene.
At First, All Went Well ...
Collected obituaries chiefly reprinted from the Independent newspaper and the Book Collector.
Treasures of the British Library
A guide to the great collections of The British Library. Illustrated throughout in colour, it is an introduction to some of the world's most magnificent books and manuscripts, from The Lindisfarne Gospels to Magna Carta, The Diamond Sutra and The Gutenberg Bible.
Form and Meaning in the History of the Book
Nicolas Barker, OBE FBA, has made many contributions to the study of the book. In celebration of his 70th birthday, the British Library has published a selection of his essays that show the range of his interests in a number of related fields: books and texts; books and people; typography and early printing; the history of the book; bookselling; and forgery. None of these essays has previously been reprinted and collectively they offer a series of authoritative insights into various aspects of the book as physical and cultural artefact. The collection is prefaced by an introduction by Alan Bell, former Librarian of the London Library.
Aldus Manutius and the Development of Greek Script & Type in the Fifteenth Century
This much-acclaimed work was first published in 1985 in an extremely limited edition of something under 200 copies. The first edition nonetheless sold out rapidly, and the reviewers were virtually universal in their recommendations that a new edition be published at a more accessible price, and thereby satisfy the additional demands on the marketplace. This new edition meets that need. This second edition is a substantially new work. It has been completely revised throughout, in the light both of the author's subsequent research and discoveries and of the reviewers' observations. It contains much additional new matter. The new illustrations reproduce setting copy, in the autograph of Marcus Musurus, of the Address to the Reader in the 1498 Aristophanes
Visible Voices
In Visible Voices Nicolas Barker traces the development of poetry from its ancient origin as an oral medium to its modern incarnation as a primarily written or printed artform. The book moves from the pictograms of the Ancient Near East through the development of alphabetic Nicolas Barker Visible Voices scripts, the traditions of Medieval European manuscripts, the shift from script to print, all the way to the innovations and experiments of the modernist period. Stéphane Mallarmé’s typographically exploded poem Un Coup de Dés Jamais N'Abolira Le Hasard, Barker writes, ‘takes the problem that has haunted poets and their audiences over four thousand years to a logical conclusion: that is, how the evanescent iridescent idea in the poet’s mind is to be registered in graphic form – what, in short, is the art of poetry?’ Illustrated throughout with photographs of the texts and books under discussion, Visible Voices offers a rich, authoritative account of the changing face of poetry through the ages.
Early Italian Writing-books
Printed in letterpress, with 24 duotone offset illustrations, this book examines the calligraphy of the sixteenth century from Arrighi to Ugo da Carpi, from Tagliente to Celebrino da Udine. As always with Morison, it is full of surprises, for this was Morison s particular passion, and in the area of stylistic comparisons and close observation, Morison was an undisputed master. This is, then, not only the last major Morison text to be published, but also one of fundamental importance, covering the most important period (and the most beautiful examples) in the history of calligraphy.
