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Brussels- and Brooklyn-based Swiss artist Nicolas Party (born 1980) creates soft pastel drawings of trees, fruit, humans and landscapes that integrate his appetite for art history in their use of adopted pictorial languages. Party's works are focused around four consistent visual "characters" trees, fruit, humans and landscapes, rarely commingled in the same composition. Inspiration for his bare trees comes from Milton Avery; his single-stroke ocean swells from Ferdinand Hodler are occasionally lit by Felix Vallotton sunsets; and the eerie stares of his androgynous figures echo the apocalyptic vacancy of Christian Schad. These colorful pictures incorporate disparate and contradictory elements that create a complex optical effect of instability. Nicolas Party: Pastel documents the artist's 2017 show at Karma, New York, for which he conceived a unique environment in which to present the pastels.
Commemorating Nicolas Party's acclaimed transformation of the FLAG Art Foundation into a walk-in celebration of pastel In 2019, Swiss-born painter Nicolas Party transformed the FLAG Art Foundation in New York into a rose-colored stage set for a suite of four soft pastel, Rococo-inspired murals that serve as a foil to, and occasional backdrop for, a selection of pastels from the 18th century to the present. Pastelcommemorates this extraordinary unified environment, its celebration of pastel, and the range of contemporary artists who are giving new energy to this uniquely fragile medium. Artists include: Rosalba Carriera, Mary Cassatt, Edgar Degas, Louis Fratino, Marsden Hartley, Loie Hollowell, Julian Martin, Toyin Ojih Odutola, Chris Ofili, Jean-Baptiste Perronneau, Billy Sullivan, Wayne Thiebaud and Robin F. Williams.
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Thousands upon thousands of books have been written about Immanuel Kant since his death. None, let's be clear, have been quite like what we have here. In Party Fun with Kant, Nicolas Mahler tells the story of Kant--and his fellow serious-minded figures from the history of philosophy--with a comic edge. With his witty visual style and clever wordplay, he delves into their lives and emerges with hitherto unknown scenes that show them in a new (and far less serious) light. We go to parties with Kant, visit an art exhibition with Hegel, shop at the supermarket with Nietzsche, and go to the cinema with Deleuze, and celebrate the dream wedding with de Beauvoir. In each case, we come away knowing more about the life, thoughts, and feelings of the philosopher--getting to know them as people rather than as stony-faced figures long since robbed of any existence beyond their ideas. The result is pure fun, but with plenty of insight, too.
Selected as a Book of the Year 2016 in the Guardian and The Spectator Anna Pallai was brought up on 1970s stalwarts of stuffed peppers, meatloaf and platters of slightly greying hardboiled eggs. When she rediscovered her mother's grease-stained 70s cookbooks, she knew she needed to share them with the world, and so the hit Twitter account @70s_Party was born. Harking back to a simpler pre-Instagram, pre-clean-eating era, when the only concern for your dinner party was whether your aspic would set in time, this is a joyful celebration of food that can give you gout just by looking at it. Covering all the essentials, from starters through to desserts, dinner party etiquette (just how does one start to eat a swan fashioned from a hardboiled egg?) and the dreaded ‘foreign’ food, there's no potato-fashioned-as-a-stone left unturned.
How many women sculptors can you name? This book will challenge perceptions that sculpture is a male pursuit and help you to understand the work and lives of dozens of women sculptors - significant artists from the past as well as those working in the exciting and varied world of sculpture today. Includes: Camille Claudel Barbara Hepworth Elisabeth Frink Niki de Saint Phalle Louise Bourgeois Ruth Asawa Rachel Whiteread Malvina Hoffman Maggi Hambling Cornelia Parker Senga Ningudi Phyllida Barlow Eva Hesse Sophie Ryder and many more...
Women with Cameras (Anonymous)is a new artist's book by Anne Collier (born 1970), with a text by Hilton Als (winner of the 2017 Pulitzer Prize for Criticism), that consists of a sequence of 80 images of found amateur photographs that each depict a female subject in the act of holding a camera or taking a photograph. . Dating from the 1970s to the early 2000s, these artifacts of the pre-digital age were collected by Collier over a number of years from flea markets, thrift stores and online market places. Each of these photographs has, at some point in the recent past, been discarded by its original owner. The concept of "abandonment," of photographic images and the personal histories that they represent, is central to Women with Cameras (Anonymous), which amplifies photography's relationship with memory, melancholia and loss. The sequence of the images in Collier's book follows the format of her 35mm slide projection work Women with Cameras (Anonymous)(2016), that was recently shown to great acclaim in Tokyo, Japan, and Basel, Switzerland.
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In 1953, twenty-four-year old Nicolas Bouvier and his artist friend Thierry Vernet set out to make their way overland from their native Geneva to the Khyber Pass. They had a rattletrap Fiat and a little money, but above all they were equipped with the certainty that by hook or by crook they would reach their destination, and that there would be unanticipated adventures, curious companionship, and sudden illumination along the way. The Way of the World, which Bouvier fashioned over the course of many years from his journals, is an entrancing story of adventure, an extraordinary work of art, and a voyage of self-discovery on the order of Robert M. Pirsig’s Zen and the Art of Motorcycle Maintenance. As Bouvier writes, “You think you are making a trip, but soon it is making—or unmaking—you.”