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Stefan Banz curated the Swiss pavilion at the 2005 Venice Biennale and is the founder and former artistic director of Kunsthalle Luzern. He has also had more than 10 solo shows of his own work in the last five years. His tongue-in-cheek title for this collection of photographs, "SMS, " refers to sex, mountains, and sunsets, and as that list suggests, it reads like a still love montage--dams coursing, couples kissing, and lots of butts.
In his impressive analysis Stefan Banz examines how Jeff Wall uses camera, computer, actors and specialists to generate a visual performance that provokes epistemological questions in the viewer; illustrates how the artist - beyond avant-garde criteria - develops a sophisticated and engaging visual feel, which deals both with the everyday but also with the history of art; and explores meticulously how he reflects the role of the recipient in his compositions.In this sense, Banz shows with the eyes of an active observer how art has an inexhaustible metaphorical power for Wall, which enriches and upsets our visual concepts. And he also creates new, startling references between his photographic works and paintings by such different artists like Diego Velázquez, Jan Vermeer, Claude Monet, Frederic Remington, Hans Emmenegger, Marcel Duchamp and Salvador Dalí.
Stefan Banz rassemble des preuves et des documents jusqu'alors inconnus sur l'émergence, la disparition et la réception du célèbre readymade de Marcel Duchamp, Fontaine, et offre une perspective nouvelle sur cette œuvre qui apparaît comme la plus importante du XXe siècle. Stefan Banz examine en détail les cinq différentes répliques de Fountain réalisées en 1918, 1938, 1950, 1963 et 1964. Cette œuvre questionne la question de l'auteur et elle est posée pour la première fois dans l'histoire par des moyens artistiques. On découvre dans son étude que l'urinoir des deux photographies de Roché de 1918 n'est pas le même modèle que celui de la célèbre photographie de Stieglitz ...
In August 1946, Marcel Duchamp spent 5 weeks in Switzerland, including 5 days at the Hotel Bellevue near Chexbres, on Lake Geneva, discovering the Forestay waterfall. A multidisciplinary event took place in May 2010 to attempt to understand why the artist chose this waterfall for his final masterpiece 'Étant Donnés'.
Much like his photographs, the video work of Swiss Artist Stephan Banz deals with the seemingly unspectacular reality of his family life and everyday environment. His tapes feature his two children, himself, or his rabid neighbor as protagonists. The children's room, the stairwell of his own apartment, a forest nearby, the lake -- Banz discovers the strange and alien at the heart of his familiar world. At a time when documentary soaps and their trademark dissolution of the boundaries between the private and the public have become standard television fare, Banz is trying to look beyond titillating sensationalism and trivial psychological truisms in order to accomplish a constructive intermingling of the social and the individual. His video stills are glimpses of quotidian fairy tales -- eerie, playful and humorous.
Caroline Bachmann and Stefan Banz have designed a photographically pictorial artist's book which focuses on Berlin cemeteries. In a combination of photography and painting they consider the uniqueness of the park-like cemeteries in Berlin, which are used as leisure and recreational areas. Bachmann and Banz turn these places of melancholy and calm into an aesthetic experience by 'making emotions visible'.
The legendary boxing champion Muhammad Ali is at the center of artist Stefan Banz's photographic documentation of a unique project. During the artist's travels between 1999 and 2001, throughout more than a dozen European citites, Banz asked more than 350 people to adopt their favorite Muhammad Ali pose. Even though they were all imitating the same figure, not one of the depictions is alike, revealing much about the character of the individual--man, woman or child. This spontaneous street sparring developed as a new form of portrait photography; shown here are 63 images from the Ali series.
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This book, whose title references the epitaph on Marcel Duchamp's tombstone, is based on a conversation held in Rome on January 19, 2014, between E. Fantin, L. Negro, G. Norese, C. Pietroiusti, L. Presicce, M. Pellegrini, R. Tenace, C. Pecchioli, D. Ricco, G. Marinelli, S. Alberani, I. Coppola, S. Ciracì, L. Batacchi, L. Musacchio, M. Benincasa and C. Christov-Bakargiev.This artist's book is an exploration of the topic of death by the Italian artists collective Lu Cafausu, encompassing both past projects and new plans, the result of meetings with old and new companions.