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Initiated in the 1980s when Eric and Suzanne Syz were living in New York, The Syz Collection was installed in 2017 in Geneva -- where the couple has been based since the mid-1990s -- in the new Syz Group Headquarters, thus allowing an overarching view of it.Featuring 300 works by more than 100 Swiss and international artists from different generations, working in different mediums, the Geneva hanging reflects the tastes of an inspired collector couple, who have been advised for the last 10 years by curator and art critic Nicolas Trembley.Having started by collecting paintings by Jean-Michel Basquiat, Julian Schnabel, Francesco Clemente, George Condo, and Andy Warhol, the Syzs have been endle...
From Raymond Loewy's austere "Form 2000" teapot set of the mid-1950s to the Sgrafo vases of the 1960s and the improbable "Fat Lava" glacis of the 1970s, postwar German ceramics exhibited a tremendous stylistic diversity, mixing references to Op art, geometric abstraction, the funky, angular designs of Werner Panton and the biomorphism of hippie aesthetics. Both famed and anonymous designers translated the various aspirations of a postwar Germany under reconstruction into exaggerated, semi-futuristic shapes, as well as pursuing cooler, more stripped down effects. Sgrafo vs. Fat Lava explores this fertile tension in German ceramics, with reproductions of relevant works, an essay by the ceramics specialist Horst Markus and an interview with designer Ronan Bouroullec.
With the growing popularity and availability of precision equipment, farmers and producers have access to more data than ever before. With proper implementation, precision agriculture management can improve profitability and sustainability of production. Precision Agriculture Basics is geared at students, crop consultants, farmers, extension workers, and practitioners that are interested in practical applications of site-specific agricultural management. Using a multidisciplinary approach, readers are taught to make data-driven on-farm decisions using the most current knowledge and tools in crop science, agricultural engineering, and geostatistics. Precision Agriculture Basics also features a stunning video glossary including interviews with agronomists on the job and in the field.
This book explores the impact of artistic experiments in inspiring people to turn away from current food consumerism and take an active role in preserving, sustaining, and protecting the environment. As artists are expanding their practice into social justice and community concerns, erasing traditional forms of expression and integrating others, the culture around food and its production has been added to a new vocabulary of experiential art. The authors measure the impact of such experiments on local food consumption and production, focusing on education and youth, both in the surrounding community and culture at large. They suggest how these projects can be up-scaled to further encourage s...
Maisons d'éditions mentionnées: "Artimo, Atopia Projects, Book Works, Factotum, Inventory, JRP/Ringier, Lukas & Sternberg, The Metropolitan Complex, Millimetre, Morning Star, Onestar Press, Pork Salad Press, Revolver, Slought Foundation.
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"The curators of the ninth Lyon Biennial approached the task of mapping the moment in contemporary art playfully: by commissioning a polyphonic history and geography book. With 70 "players" from around the world, the "game" of how to define the decade unfolded via a series of delegations, invitations and programs in which artists proposed their responses and critics and curators sequenced and challenged them, in turn suggesting artists of their own. Reframing the unfolding present from within, creatively rethinking the role of the artist as well as that of serious play, and reconsidering the now-ubiquitous and decreasingly authoritative biennial exhibition, these myriad voices, framed by only a few rules, became participants in an exercise in collective self-determination. This lavishly illustrated publication, designed by the renowned Parisian firm M/M and edited by Biennial curators Hans Ulrich Obrist and Stephanie Moisdon, includes previously unpublished essays by Michel Houellebecq, Okwui Enwezor and Ralph Rugoff, and functions as a manual for "a decade yet to be named a present that is endlessly arriving.""--Publisher description.
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Despite its exploration of the connection between political rhetoric and artistic expression, the project does not aim to illustrate its theme through 'populist art'. Instead, the artists in the exhibitions deal with populist sentiments and ideologies of our time through sub-themes such as the mass media projection of politics; market populism and culturial industries; group and corporate identities; representations and spaces of 'the people'; law, order and security; religious and moral controversy; nationalism and xenophobia. But all the artists share a common populist premise in their unwillingness to accept the old opposition between mass and elite culture, and their desire to investigate the forms of politics - the dreams of democracy and its remodelling - that are being produced in contemporary society"