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Lynda Benglis
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Come on in My Kitchen
'Thank you for dancing and never forget: the good times are always now! Farewell, Ramona.'These words by the nightclub Robert Johnson's own and very mysterious hostess might be as mundane as the very concept of nightclubs. But at a second glance, it is ap
Choreographing exhibitions
En 2008, le centre d'art contemporain La Ferme du Buisson accueillait le commissaire d'exposition Mathieu Copeland pour la présentation remarquée d'Une Exposition Chorégraphiée. Composée exclusivement de mouvements interprétés par trois danseurs pendant deux mois, l'exposition fit date dans l'histoire des relations entre danse et arts plastiques. 0Au-delà de l'expérience unique qu'elle a constituée pour ceux qui l'ont vécue, Une Exposition Chorégraphiée a nourri une multitude de questions qui ont fait leur chemin pour donner naissance à un ouvrage intitulé Chorégraphier l'exposition. 0Le livre réunit plus d'une trentaine d'artistes plasticiens, chorégraphes, musiciens, cinéastes, théoriciens et commissaires d'exposition internationaux. Formidable panorama des relations entre chorégraphie et exposition, il orchestre une polyphonie de points de vue à partir de cinq prismes : la partition, l'espace, le temps, le corps et la mémoire.
Pedagogical Sketchbook
'One of the most famous of modern art documents - a poetic primer, prepared by the artist for his Bauhaus pupils, which has deeply affected modern thinking about art . . . This little handbook leads us into the mysterious world where science and imagination fuse.' Observer
Party Studies
The party as a model for new forms of togetherness, with examples from communist Hungary and Spain From social get-together to scenes of delirium, this publication aims to unpack the party as a complex, vertiginous construct that provides a dynamic view onto questions of community. If the party functions as an intensification of togetherness, what lessons might it provide in negotiating a given social order? This first volume on the topic considers the house party, and in what ways domestic space is reworked in support of an extension of the family unit. Including a series of interviews with those active in flat events in Budapest during the communist regime and today, essays on hospitality, the politics of rest, and erotic knowledge, and documentation on Sala 603, an informal house-theater in Curitiba. The publication is the first in a new Errant Bodies series developed in parallel to a set of party-workshops initiated by the artist Brandon LaBelle held in different locations in Madrid, each of which performatively investigates states of partying, posing the party as a scene of study.
The Czech Files
This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists' studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jirí Kovanda, Karel Malich, and many others, map the historical events as well as unknown stories of the actors of the Czech 'second avant-garde'.The artists and intellectuals of this generation were born in between 1920-1945. They lived through the 1960s cultural upheaval known as the Prague Spring, and witnessed the 'normalization' of the 1970s when censorship was re-introduced.This series of interviews contextualize a generation of Czech artists within the historical events that marked their lives and careers, and draw attention to their urgency to resist historical events while keeping their artistic practices sustained, radical, and vital.Published with tranzit.cz, this publication is a unique encounter with key artistic figures and moments of history, which created a complex landscape of artistic practices under socialism, as well as after the changes.The book is part of the Documents series, co-published with Les presses du réel and dedicated to critical writings.
Museum of the Future
Museums of contemporary art are expanding and in crisis. They attract ever-larger audiences, architects constantly redesign them, and the growing number of artists is producing more massively than ever; at the same time museum funds are dwindling in the economic crisis and an overheated art market. This text gathers together interviews with international artists, architects and curators of the contemporary art world.
Feminine Futures
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The New Existentialism
In the face of radical transitions in social organization, technology, and the living environment, numerous thinkers have moved away from semiotic and psychoanalytic critical models in order to question human agency and imagine a broader material one existing in the world. Yet the language attending such endeavors?often put forward in the spirit of?scientific? or?objective? exercise?suggests we would benefit from revisiting another era's interrogations of rationalism to engage the dilemmas of our own time.0The New Existentialism takes stock of contemporary art in light of these philosophical dialogues, proposing how the tenuous human subject is again faced with the prospect of defining its parameters and context in order to arrive at different terms for ethical thinking, conduct, and meaning.0Edited with a preface by curator and author Tim Griffin, The New Existentialism follows on from the eponymous conference organized at The Kitchen in the context of the ART2 festival in New York in April 2014.
