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An Introduction to Literary Studies
An Introduction to Literary Studies provides the beginner with an accessible and comprehensive survey of literature. Systematically taking in theory, genre and literary history, Klarer provides easy to understand descriptions of a variety of approaches to texts. This invaluable guide includes sections on: fiction poetry drama film covering: a range of theoretical approaches an extensive glossary of major literary and cinematic terms guidelines for writing research papers.
Introduction to Literary Studies
In this volume, Mario Klarer provides the essential beginner's guide to English literary studies. Offering a concise, easy-to-understand discussion of central issues in the study of literary texts, looking at: definitions of key terms such as 'literature' and 'text' major genres, such as fiction, poetry, drama and film periods and classifications of literature theoretical approaches to texts the use of secondary resources guidelines for writing research essays. Klarer has fully updated the highly successful first edition to provide greater guidance for online research and to reflect recent changes to MLA guidelines for referencing and quoting sources. He concludes with suggestions for further reading and an extensive glossary of important literary and cinematic terms.
Screening Cuba
Hector Amaya advances into new territory in Latin American and U.S. cinema studies in this innovative analysis of the differing critical receptions of Cuban film in Cuba and the United States during the Cold War. Synthesizing film reviews, magazine articles, and other primary documents, Screening Cuba compares Cuban and U.S. reactions to four Cuban films: Memories of Underdevelopment, Lucia, One Way or Another, and Portrait of Teresa. In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations of Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban revolution, liberal and leftist American critics found meaning in the films as representations of anti-establishment progressive values and Cold War discourses. By contrasting the hermeneutics of Cuban and U.S. culture, criticism, and citizenship, Amaya argues that critical receptions of political films constitute a kind of civic public behavior.
Dead Subjects
DIVExamines how Lacanian theory lends itself to a new way of thinking about ethnic-racialized subjectivity, applying it to notions of Latino/a subjectivity and experience in particular./div
Stormy Weather
At long last, the first serious biography of entertainment legend Lena Horne -- the celebrated star of film, stage, and music who became one of the first African-American icons. At the 2001 Academy Awards, Halle Berry thanked Lena Horne for paving the way for her to become the first black recipient of a Best Actress Oscar. Though limited, mostly to guest singing appearances in splashy Hollywood musicals, "the beautiful Lena Horne," as she was often called, became a pioneering star for African Americans in the 1940s and fifties. Now James Gavin, author of Deep in a Dream: The Long Night of Chet Baker, draws on a wealth of unmined material and hundreds of interviews -- one of them with Horne h...
International Dictionary of Films and Filmmakers
Named one of the Best Books of the '80s by Booklist, the International Dictionary of Films and Filmmakers focuses on the most-often-studied artists and works, with critical essays accompanying each entry
