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Cannibalizing the Colony
The years 1992 and 2000 marked the 500-year anniversary of the arrival of the Spanish and the Portuguese in America and prompted an explosion of rewritings and cinematic renditions of texts and figures from colonial Latin America. Cannibalizing the Colony analyzes a crucial way that Latin American historical films have grappled with the legacy of colonialism. It studies how and why filmmakers in Brazil and Mexico -the countries that have produced most films about the colonial period in Latin America -appropriate and transform colonial narratives of European and indigenous contact into commentaries on national identity. The book looks at how filmmakers attempt to reconfigure history and culture and incorporate it into present-day understandings of the nation. The book additionally considers the motivations and implications for these filmic dialogues with the past and how the directors attempt to control the way that spectators understand the complex and contentious roots of identity in Mexico and Brazil.
The Circuit of Apollo
"Historicizes British women's relationships with other women through the medium of commemorative writing over the course of the long eighteenth century. Featuring archival discoveries, the contributions in this volume trace female networks, friendships, rivalries, and competition and uncover the material record of women's honor"--
Families of the Heart
In this innovative analysis of canonical British novels, Campbell identifies a new literary device—the surrogate family—as a signal of cultural anxieties about young women’s changing relationship to matrimony across the long eighteenth century. By assembling chosen families rather than families of origin, Campbell convincingly argues, female protagonists in these works compensate for weak family ties, explore the world and themselves, prepare for idealized marriages, or sidestep marriage altogether. Tracing the evolution of this rich convention from the female characters in Defoe’s and Richardson’s fiction who are allowed some autonomy in choosing spouses, to the more explicitly feminist work of Haywood and Burney, in which connections between protagonists and their surrogate sisters and mothers can substitute for marriage itself, this book makes an ambitious intervention by upending a traditional trope—the model of the hierarchal family—ultimately offering a new lens through which to regard these familiar works.
Prolific Ground
Land ownership—and engagement with land more generally—constituted a crucial dimension of female independence in eighteenth-century Britain. Because political citizenship was restricted to male property owners, women could not wield political power in the way propertied men did. Given its foundational sociopolitical function, land necessarily generated copious writing that vested it with considerable aesthetic and economic value. This book, then, situates these issues in relation to the historical transformation of landscape under emergent capitalism. The women writers featured herein—including Jane Barker, Anne Finch, Sarah Scott, and Elizabeth Montagu—participated in this transformation by celebrating female estate stewardship and evaluating the estate stewardship of men. By asserting their authority in such matters, these writers acquired a degree of independence and self-determination that otherwise proved elusive.
Sentimental Readers
How could novels like Uncle Tom’s Cabin change the hearts and minds of thousands of mid-nineteenth-century readers, yet make so many modern readers cringe at their over-the-top, tear-filled scenes? Sentimental Readers explains why sentimental rhetoric was so compelling to readers of that earlier era, why its popularity waned in the latter part of the nineteenth century, and why today it is generally characterized as overly emotional and artificial. But author Faye Halpern also does more: she demonstrates that this now despised rhetoric remains relevant to contemporary writing teachers and literary scholars. Halpern examines these novels with a fresh eye by positioning sentimentality as a r...
Women, Compulsion, Modernity
The 1890s have long been thought one of the most male-oriented eras in American history. But in reading such writers as Frank Norris with Mary Wilkins Freeman and Charlotte Perkins Gilman with Stephen Crane, Jennifer L. Fleissner boldly argues that feminist claims in fact shaped the period's cultural mainstream. Women, Compulsion, Modernity reopens a moment when the young American woman embodied both the promise and threat of a modernizing world. Fleissner shows that this era's expanding opportunities for women were inseparable from the same modern developments—industrialization, consumerism—typically believed to constrain human freedom. With Women, Compulsion, and Modernity, Fleissner creates a new language for the strange way the writings of the time both broaden and question individual agency.
Raising Germans in the Age of Empire
What is the relationship between colonialism and culture? Jeff Bowersox answers this question by looking at how young Germans imagined the wider world around them during the age of high imperialism.
Literature and Party Politics at the Accession of Queen Anne
This volume examines how literature was central to the debates about royal succession and political culture of the early eighteenth century. It reshapes our understanding of writers such as Daniel Defoe, Alexander Pope, and Joseph Addison, as well as our understanding of political, literary, and material cultures of the time.
Precarious Domesticity and the British Novel
Precarious Domesticity and the British Novel: Space, Gender, and Empire investigates the ways domesticity shapes and threatens female characters in British fiction from the 1750s to the 1850s. Going far beyond the well-trod ground of the marriage plot, women writers in this period explored complicated issues such as sexual abuse, grief, and the way coverture and inheritance laws challenged women’s survival. The author argues that women writers used the novel as a space where they could confront anxieties about the precarity of domesticity and the implicit threat of homelessness many women of the middle ranks faced. Precarious Domesticity explores the way female characters subvert these dynamics by reordering domestic space to enact ingenious and creative resistances to their marginalization in Jane Collier, Sarah Scott, Frances Burney, Jane Austen, Elizabeth Gaskell, and Charlotte Brontë. The author also explores the implications of British imperialism’s impact on domestic ideology, both in the consumer products imported into England and the wealth derived from plantation slavery and global trade made possible by enslaved labor.
