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The Experience of God
Belief and credal commitment sometimes seem to make less and less sense in the West. A kind of 'cultural amnesia' has taken hold, where formal religious adherence begins to seem almost unthinkable. This is especially so for the idea of divine revelation. Robyn Horner argues this means we need to re-evaluate how theology proceeds, focusing not so much on beliefs but on experience. Exploring ways in which the experiential might open human beings up to divine possibility, the author turns to phenomenology (especially in the French philosophical tradition) because it seeks to examine unrestrictedly what is given through involved encounter. Bringing phenomenology and poststructuralism together, Horner develops the idea of revelation as an 'event' wherein God interrupts and exceeds human experience, affecting and transforming it. This striking concept, named but largely unexplored by theology, articulates a notion of supernatural revelation which now starts to appear both coherent and plausible.
After Life
Dreams and fantasies of immorality date back to the first human being who was expelled from the Garden of Eden and fell into time, as Augustine recounts. Falling into time, into mortality, living with the consciousness of death and the decline of the body, bear a terrifying—and yet for some pacifying—burden that comes with the weight of being human. Today, with the advancement of technology, accompanied by the emergence of trends such as posthumanism and transhumanism, the idea of overcoming death is presented as no longer a mere fantasy, but a legitimate discursive stance. While death is often seen as the Muse of philosophy, what would it mean (philosophically and psychically) to live in a world where death is no longer necessary? After Life: Recent Philosophy and Death is a collection of 11 essays addressing the place of death and its denial from a philosophical, psychoanalytic and literary perspectives. This collection offers contemporary and fresh insights on these timely questions. It was originally published as a special issue of Angelaki.
RUDOLF BULTMANN
The work of theologian Rudolf Bultmann is often judged without due consideration of the historical and personal circumstances in which it occurred. It is forgotten that theology is always carried out in a specific context. Thus, this book aims to do justice to this theologian by recognizing the relevance of his hermeneutical method. It will be demonstrated that demythologization is a powerful exegetical-apologetic operation, because, at the same time that it points to the mythological layer that covers the text of the New Testament, it emancipates it from myth. The next step will be to show that by recognizing a mythological envelope covering the text of the New Testament, Bultmann intended ...
After Modernism
While celebrating the centenary of the “annus mirabilis” of modernism, we now encounter modernism after postmodernist, poststructuralist, postcolonial, critical race, feminist, queer and trans writing and theory. Out of the figures, narratives and concepts they have developed, a less universal, more global, decentred, context-specific, interconnected modernism emerges. In “after modernism” the meanings of “after” include periodisation, homage and critique. This book attends to neglected genealogies and intertexts—“high” and “low,” yet offering unacknowledged ontological, epistemological, conceptual and figurative resources. How have artists of the Global South negotiate...
The European Reception of John D. Caputo’s Thought
This book gathers the European reception of John. D. Caputo's proposal for a radical theology of our time. Philosophers and theologians from within Europe respond to Caputo's attempt to configure a less rigid, less dogmatic form of religion. These scholars, in turn, receive responses by Caputo. This volume so aims to strengthen the development of radical theology in Europe and abroad.
By Way of Obstacles
In By Way of Obstacles, Emmanuel Falque revisits the major themes of his work—finitude, the body, and the call for philosophers and theologians to “cross the Rubicon” by entering into dialogue—in light of objections that have been offered. In so doing, he offers a pathway through a work that will offer valuable insights both to newcomers to his thought and to those who are already familiar with it. For it is only after one has carved out one’s pathway that one may see more clearly where one has been and where one might be going. Here readers will discover the profound relation between Falque’s emphasis on the human experience of the world and his desire for philosophy and Christian theology to enter into conversation. For only by speaking within the human horizon of finitude can Christianity be credible for human beings, and it is because Christian theology teaches that God entered into our finitude that it can also teach us something of what it is to be human. Contemporary phenomenology, Falque warns, over-privileges an encounter with the infinite that cannot be originary. Calling us back to finitude, he calls us to a deeper understanding of our humanity.
The Pulse of Sense
This volume stages a series of encounters between the French philosopher Jean-Luc Nancy and leading scholars of his work along four major themes of Nancy’s thought: sense, experience, existence, and Christianity. In doing so, the volume seeks to remind readers that Nancy’s sens has many meanings in French: aside from those that easily carry over into English, i.e., everything to do with "meaning" and "the senses"; it also includes the "way" they are "conducted," the "direction" they take, the "thrust" or "pulse" in which the circulation of sense exists. Faithful to this plural understanding of sens, the writings collected here aim to join Jean-Luc Nancy in the process of "making-sense" t...
God and Phenomenology
God and Phenomenology: Thinking with Jean-Yves Lacoste provides a starting point for scholars who seek to familiarize themselves with the work of this French phenomenologist and theologian. Thirteen international scholars comment on Lacoste's work. In conclusion the volume offers an unpublished essay by Lacoste on the topic of eschatology. / Table of Contents -- Introduction: Thinking with Jean-Yves Lacoste by Joeri Schrijvers and Martin Koci / Part I: Critiques -- 1. "'Children of the World': A Note on Jean-Yves Lacoste," by Kevin Hart / 2. "Lacoste on Appearing and Reduction," by Steven DeLay / 3. "Reduction Without Appearance: The Non-Phenomenality of God," by Robert C. Reed / 4. "Only Me...
Deconstructing Undecidability
Advancing current readings of the deconstructive work of Jacques Derrida, Deconstructing Undecidability critically explores the problematic nature of decision, including the inherent exclusivity that accompanies any decision. In discourses where a pursuit of justice or liberation from systemic oppression is a primary concern, Michael Oliver argues for an appreciation of the inescapability of making limited, difficult decisions for particular forms of justice. Oliver highlights a similarly precarious predicament in the context of philosophical and religious negotiations of divine decision, pointing to the impossibility of safely navigating this issue. While wholeheartedly affirming the problem of exclusivity that inevitably accompanies decision, this book offers a renewed sense of undecidability that highlights a mistaken, illusory position of indecision as a reflection of power and privilege. Ultimately, this book aims to gain a greater appreciation for the complexity of the problem of decision, in order to be more rigorous and transparent in our continued engagement with it.
The Theological Power of Film
This book explores the theological power of film and seeks to render a properly theological account of cinematic art. It considers: What theology and theological practice does cinematic art give rise to? What are the perceptual and affective potentials of film for theology, and what, if anything, is theological about the cinematic medium itself? The author argues that film is a fundamentally embodied art form, a haptic and somatic medium of perception-cum-expression. This, combined with the distinct temporal aesthetic of film, invests cinema with profound theological potentials. The chapters explore these potentials through theological-cinematic analysis, emphasising the themes of encounter, embodiment, time, and contemplation, as well as three intimately connected doctrines of Christian theology: creation, incarnation, and eschatology. Throughout the book, the films and writings of the Russian director Andrei Tarkovsky emerge as a singular illustration of the theological power of film, becoming a crucial resource for theologicalcinematic analysis.
