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El Greco – The Cretan Years
Exploring all the available sources, this study, which until now was only available in Greek, presents us with an account of El Greco's life up to the time he left Crete for Italy in 1567 at the age of twenty-six, already an accomplished professional painter. Nikolaos Panagiotakes provides a thorough assessment of earlier research on Crete of the 16th century then goes on to present new conclusions on the life of El Greco deriving from the author's firsthand reading of Venetian archive material, including questions relating to his birthplace, family, name, religious affiliation, and apprenticeship as a painter. The evidence indicates that El Greco was an established professional 'master painter' earlier than had previously been thought and also that he had a family before leaving Crete, thus perhaps explaining why he did not later marry Jerónima de las Cuevas, with whom he had a son in Toledo. This work marks a valuable contribution to El Greco scholarship, particularly in its thoroughly substantiated assessment of the evidence regarding the formative years in the life of El Greco, one of the greatest of all European artists.
The Blinded State
This book is a revisionist account of Samuel’s State and the legendary struggle between Samuel Cometopoulos and Basil II (10th-11th century). It goes beyond the standard approach to the study of state formation, presenting an entirely new analytical framework which interrogates how contemporaries in the Balkans at different times, ranging from the Byzantine and Balkan elites of the medieval centuries to later voices in the early modern and modern periods, have represented Samuel’s polity in the service of their own political agendas and territorial aspirations towards Macedonia. The wide-ranging relationship between culture, identity and power are addressed, making use not just of Balkan literary and artistic traditions but on writings from across the Slavic world and western political and intellectual contexts. Demonstrating the conflicted legacy of the Samuel’s State in the Balkans, Mitko B. Panov questions established scholarly opinion and offers new interpretations that reconsider its place in Byzantine and Balkan history and imagination.
Authority in Byzantium
The invisible force of authority bound the diverse groups in the Byzantine state and maintained its existence across many centuries. The present volume brings together an international cast of contributors to explore the many aspects and construction of authority within the state, the church and the family. They examine the authority of knowledge and text, the depiction of authority, and lastly, the legacy of three great scholars of Byzantine studies. Five of the sections are followed by responses from a specialist in the western middle ages bringing a wider European perspective to the subject.
Victors and Vanquished in the Euro-Mediterranean
The volume presents a comparative perspective on victors and vanquished according to the categories of remembering victory and defeat, practices of celebrating victory and triumphs as well as the culture of dealing with the vanquished. Specifically, the representation of victory and defeat in Byzantine literature of the 10th–12th centuries is contrasted with commemorative practices in early Russia, and the reflection of military events in courtly music of the 15th century is examined. In addition, the practices of celebrating victories in England in the High and Late Middle Ages are explored, as is the treatment of the defeated and the subjugated in the Frankish Empire of the 9th century, in Norman southern Italy and in Byzantium.
The Philosophy of Ecstasy
Jalal al-Din Rumi (1207-73), founder of the Mevlevi Sufi order of “Whirling Dervishes,” is the best-selling poet in America today. The wide-ranging appeal of his work is such that UNESCO declared 2007 to be “International Rumi Year.” However, his writings represent much more than love poetry. Rumi was one of the preeminent thinkers of Sufism, the esoteric form of Islam. In this groundbreaking collection of 13 essays on Rumi, many of the world’s leading authorities in the field of Islamic Studies and Persian Literature discuss the major religious themes in his poetry and teachings. In addition to discussing the ideas of love, ecstasy, and music in Rumi’s Sufi poetry, the essays offer new historical and theological perspectives on his work. The immortality of the soul, freewill, the nature of punishment and reward, and the relationship of Islam to Christianity are all covered, in order to bring Rumi’s poetry properly into the context of the Sufi tradition to which he belonged.
Byzantine Art and Renaissance Europe
Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. The book offers new perspectives and insights and re-positions late- and post- Byzantine art in a broader European cultural context.
Literature and Culture in Late Byzantine Thessalonica
The 'long' fourteenth century perhaps can be seen as Thessalonica's heyday. Alongside its growing commercial prowess, the city was developing into an important centre of government, where members of the Byzantine imperial family of the Palaiologoi ruled independently under full imperial titles, striking coinage and following an increasingly autonomous external policy. It was also developing into a formidable centre for letters, education, and artistic expression, due in part to Palaiologan patronage. This volume sets out the political and commercial landscape of Thessalonica between 1303 and 1430, when the city fell to the Ottoman Turks, before focusing on the literary and hymnographical aspects of the city's cultural history and its legacy. The cosmopolitan nature of urban life in Thessalonica, the polyphony of opinions it experienced and expressed, its multiple links with centres such as Constantinople, Adrianople, Athos, Lemnos and Lesvos, and the diversity and strength of its authorial voices make the study of the city's cultural life a vital part of our understanding of the Byzantine Eastern Mediterranean.
Christianity and International Law
This volume offers a many-sided introduction to the theme of Christianity and international law. Using a historical and contemporary perspective, it will appeal to readers interested in key topics of international law and how they intersect with Christianity.
Byzantine Art and Diplomacy in an Age of Decline
Questions how political decline refigures the visual culture of empire by examining the imperial image and the gift in later Byzantium (1261-1453). Provides a more nuanced account of medieval artistic cultural exchange that considers the temporal dimensions of power and the changing fates of empires.
