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This book presents new ways of approaching photographic discourse from a queer perspective, offering discussions on what a queering methodology for photography may entail by drawing links between artistic strategies in photographic practice and key theoretical concepts from photography theory, queer theory, critical theory, and philosophy. With different examples of conceptual perspectives, including representation, formalism, and mediumlessness, it seeks to diversify queer methodology for photography. While primarily addressing photography, this book is entwined with broader philosophical questions concerning identity, difference, and the creations of systems of thought that limit the possibilities of existence to binary categorisation. It proposes a new concept of the photographic image that addresses its materiality, in the form of the poetic and the political, in relationship to a generative principle that is named as a queer quality: the photograph’s ability to voice queer concerns also beyond its role as representation. This book will be of interest to scholars working in photography, art history, queer studies, new materialism, and posthumanism.
This book uses Song China to explain how a pre-industrial regime organized itself spatially in order to exercise authority. By detailing the relationship between the court and local administration, Mostern complicates the received paradigm of Song centralization and decentralization.
In his previous life, Sis San had ruined her appearance, poisoned her throat, and replaced all of her later fires to burn her to death. When she opened her eyes again, she had been reborn, reborn back to her previous misfortune. She had been humiliated, snatched back everything that belonged to her, and walked step by step towards the Almighty Goddess. They all knew that the Crown Prince of a certain consortium was humorous and handsome, but he was willing to become a holy knight that would protect them in the entertainment circle in the future. "I feel like the misunderstanding between us is rather deep. Actually, you can get to know me better." "Excuse me, I like pup dogs. Thank you." "Hmm? I think I could be. " "Do you not have any points in your heart?!"
"The Three Kingdoms gives us The Iliad of China. First of the five great works of traditional prose fiction, this master narrative transforms history into epic and has thereby educated and entertained readers of five centuries with unforgettable exemplars of martial and civic virtue, of personal fidelity and political treachery. Moss Roberts's translation, the first complete rendering in English, is one of surpassing excellence and impeccable scholarship. It should delight and captivate Western readers for many more years to come."—Anthony C. Yu, University of Chicago "Moss Roberts's elegant and powerful translation of China's most important historical romance has a stunning directness that aptly conveys the dramatic boldness of the original episodic narrative. English readers may now finally understand why this 15th-century novel so strategically shaped the political world-view of generations of Chinese."—Frederic Wakeman, Director of the Institute of East Asian Studies, University of California, Berkeley
The Ben cao gang mu, compiled in the second half of the sixteenth century by a team led by the physician Li Shizhen (1518–1593) on the basis of previously published books and contemporary knowledge, is the largest encyclopedia of natural history in a long tradition of Chinese materia medica works. Its description of almost 1,900 pharmaceutically used natural and man-made substances marks the apex of the development of premodern Chinese pharmaceutical knowledge. The Ben cao gang mu dictionary offers access to this impressive work of 1,600,000 characters. This second book in a three-volume series verifies and localizes all 2,158 geographical and associated administrative names referred to in the Ben cao gang mu in connection with the origin and use of pharmaceutical substances.
Zi Zhi Tong Jian (Chinese: 资治通鉴;English: "Comprehensive Mirror in Aid of Governance") is a pioneering reference work in Chinese historiography, published in 1084 in the form of a chronicle. In 1065 AD, Emperor Yingzong of Songordered the great historian Sima Guang (1019–1086 AD) to lead with other scholars such as his chief assistants Liu Shu, Liu Ban and Fan Zuyu, the compilation of a universal history of China. The task took 19 years to be completed,and, in 1084 AD, it was presented to his successor Emperor Shenzong of Song. The Zi Zhi Tong Jian records Chinese history from 403 BC to 959 AD, covering 16 dynasties and spanning across almost 1,400 years,and contains 294 volumes (...
“Xu Xiake's Travels” (徐霞客游记) is a Chinese travelogue book, written in the 17th century. The book has 22 sections. It consists mainly of essays describing the travels of the Ming dynasty geographer Xu Xiake. Over 34 years, Xu produced more than 600,000 words, including works such as "Guizhou tour diary" and "Yunnan tour diary". This book offers detailed descriptions of geography, hydrology, geology, plants and other phenomena. It is also respected for its literary qualities and for its historicity.
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