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State of War
An endless festival amidst an endless war is the central image of this novel of the Philippines of the time of Marcos. Three young people seek relief from the suffocating repression and brutality of the Dictatorship by joining an ancient festival in the island of K----. They find instead that the war has followed them and that the festival is but a metaphor for an entire society and culture in conflict. The three find distinct destinies of death, liberation, affirmation and ultimately, salvation. This book is now considered a classic of Philippine literature.
Twice Blessed
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Jose Maria Sison
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Sugar & Salt
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Underground Spirit: 1983 to 1989
This two-volume anthology is the sequel to Upon Our Own Ground (2008).
Endgame
An account of the fall of Ferdinand Marcos and his regime in the Philippines in February 1986 offers an historical exposition of the major forces that shaped the uprising, the underground revolutionary movement, the moderate reformers, and the Washingtong
What Is a World?
In What Is a World? Pheng Cheah, a leading theorist of cosmopolitanism, offers the first critical consideration of world literature’s cosmopolitan vocation. Addressing the failure of recent theories of world literature to inquire about the meaning of world, Cheah articulates a normative theory of literature’s world-making power by creatively synthesizing four philosophical accounts of the world as a temporal process: idealism, Marxist materialism, phenomenology, and deconstruction. Literature opens worlds, he provocatively suggests, because it is a force of receptivity. Cheah compellingly argues for postcolonial literature’s exemplarity as world literature through readings of narrative fiction by Michelle Cliff, Amitav Ghosh, Nuruddin Farah, Ninotchka Rosca, and Timothy Mo that show how these texts open up new possibilities for remaking the world by negotiating with the inhuman force that gives time and deploying alternative temporalities to resist capitalist globalization.
Elites and Ilustrados in Philippine Culture
This book examines how Filipino literature has intervened in the intellectual and popular debates on the historical origins, ascendancy, power, and legitimacy of the elites. Writers like Jose Rizal, Nick Joaquin, Ninotchka Rosca, Miguel Syjuco, and Ramon Guillermo are unsparing in their criticism of elite authorship of the Philippines' past and present woes while seeking to recuperate the critical stance represented by the ilustrado. The book highlights a number of figures--the "middle sector" or "middle element" in Manila and other urban areas, Manila men and musicians, overseas Filipino workers, intellectuals, and Fil-foreigners--whose emergence as social forces points to the ongoing redefinition of the elites and the transformation of Philippine society, politics, and economy.
Brown River, White Ocean
31 short stories and 108 poems represent a literary history of English writing in the Philippines, from the turn of the century to the present.
