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Shoot the Singer!
  • Language: en
  • Pages: 244

Shoot the Singer!

  • Type: Book
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  • Published: 2004-05
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  • Publisher: Zed Books

This controversial book is the first-ever exploration of music censorship on a worldside level

The Concertmaster
  • Language: en
  • Pages: 184

The Concertmaster

  • Type: Book
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  • Published: 2018-07-20
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  • Publisher: Unknown

Offering a breathtaking account of the life and times of violinist, concertmaster, and teacher Chaim Taub, this book utilizes insightful interviews to form a mosaic of words, images, and music. It enables readers to be acquainted with the fascinating story of Taub's life, and his rare view of the art of violin playing and musical performance.

Jasmin Vardimon's Dance Theatre
  • Language: en
  • Pages: 203

Jasmin Vardimon's Dance Theatre

Jasmin Vardimon’s Dance Theatre offers an unusual, intimate insight into the devising and training processes of a choreographer in the midst of her practice. Libby Worth and Jasmin Vardimon take a collaborative approach to recording and exploring the working processes of Vardimon and her company, chronicling the development of specific productions rather than offering a single choreographic blueprint. Focusing on the techniques, strategies and creative activities necessitated by each project, Worth and Vardimon address: The initial ‘triggers’ which lead to research, expansion, and performance; The social, political and psychological content of Vardimon’s work; The relationship betwee...

Between Sepharad and Jerusalem
  • Language: en
  • Pages: 382

Between Sepharad and Jerusalem

  • Type: Book
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  • Published: 2014-10-16
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  • Publisher: BRILL

Sephardim are the descendants of the Jews expelled from the lands of the Iberian Peninsula in the years 1492-1498, who settled down in the Mediterranean basin. The identifying sign of the Sephardim has been, until the middle of the twentieth century, the language known as Jewish-Spanish. The history, identity and memory of the Sephardim in their Mediterranean dispersal are analysed by the author with a special reference to the Sephardi community of Jerusalem and to the cultural and social changes that characterized the late nineteenth century and the first half of the twentieth century. However, because of the crucial changes related to modernization and the political circumstances that came into being at the turn of the nineteenth century and the first half of the twentieth century, the Sephardim lost their unique identity.

Inventing the Modern Yiddish Stage
  • Language: en
  • Pages: 398

Inventing the Modern Yiddish Stage

Collects leading scholars’ insight on the plays, production, music, audiences, and political and aesthetic concerns of modern Yiddish theater.

Heavy Metal Islam
  • Language: en
  • Pages: 227

Heavy Metal Islam

This updated reissue of Mark LeVine’s acclaimed, revolutionary book on sub- and countercultural music in the Middle East brings this groundbreaking portrait of the region’s youth cultures to a new generation. Featuring a new preface by the author in conversation with the band The Kominas about the problematic connections between extreme music and Islam. An eighteen-year-old Moroccan who loves Black Sabbath. A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” Heavy metal, punk, hip-hop, and reggae are each the music of protest, and are considered immoral by many in the Muslim world. As the young people and subcultures ...

The Oxford Handbook of Music Censorship
  • Language: en
  • Pages: 729

The Oxford Handbook of Music Censorship

"Addresses censorship as a worldwide issue from its earliest recorded form to the modern day ; Includes unique case studies of music censorship unfamiliar to Western audiences ; Documents censorship through a necessarily intersectional lens." --Oxford University Press.

Music and Minorities from Around the World
  • Language: en
  • Pages: 230

Music and Minorities from Around the World

The acceleration of mobility among the worlds peoples, the growth of populations resettling in places other than their homelands, and world events that have propelled these developments have brought minorities unprecedented attention. Their significance as subjects for study has grown correspondingly and the study of their music has become an important gateway into understanding the culture of minorities.

Music in Conflict
  • Language: en
  • Pages: 302

Music in Conflict

  • Type: Book
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  • Published: 2020-10-15
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  • Publisher: Routledge

Music in Conflict studies the complex relationship of musical culture to political life in Palestine-Israel, where conflict has both shaped and claimed the lives of Palestinians and Jews. In the context of the geography of violence that characterizes the conflict, borders and boundaries are material and social manifestations of the ways in which the production of knowledge is conditioned by political and structural violence. Ethical and aesthetic positions that shape artistic production in this context are informed by profound imbalances of power and contingent exposure to violence. Viewing expressive culture as a potent site for understanding these dynamics, the book examines the politics o...

The Origins and Foundations of Music Education
  • Language: en
  • Pages: 307

The Origins and Foundations of Music Education

This landmark collection explores the origins and foundations of music education in Europe, The Americas, Africa and Asia-Pacific, and the Middle East, and considers the inclusion of music as part of the compulsory school curriculum in the context of the historical, social and political landscape. Within each chapter, the contributors explore the following key areas: - the aims, objectives and content of the music curriculum - teaching methods - the provision and training of teachers of music - the experiences of pupils This fully revised second edition includes new chapters on Brazil, Israel, Kosovo, Lithuania, and Turkey, along with questions to encourage reflection and discussion. A concluding chapter has been added to encourage readers to consider the evolution of music education globally. The Foreword for this new edition has been written by Sheila Woodward, President of the International Society for Music Education. Contributors have been carefully selected to represent countries that have incorporated music into compulsory schooling for a variety of reasons resulting in a diverse collection which will guide future actions and policy.