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Working in Mumbai
Working in Mumbai is a critical reflection on thirty years of the practice of RMA Architects. Rahul Mehrotra weaves a narrative to connect his multiple engagements in architectural practice, including teaching, research, documenting, writing and exhibiting since the establishment of the practice in 1990. The book is structured around the subjects of interior architecture, critical conservation, and work and living spaces that straddle the binaries of the global and the local as well as the rural and the urban. While the book is a portfolio of the selected works of RMA Architects, the projects are curated so as to unravel and clarify the challenges faced by architects in India and in several parts of the ?majority? world where issues related to rapid urbanization and the impacts of global capital are among the many that dispute conventional models of practice. Working in Mumbai is used emblematically to interrogate the notion of context and understand how the practice evolved through its association with the city of Bombay/Mumbai.
Hutong Metabolism
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A Place in the Shade
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Portico
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Marina Tabassum
With her first monograph, Marina Tabassum intends to inspire people by spotlighting special architectural elements which pervade her work, such as Light and Spirituality, Brick and Materiality, Place and Memory, and People and Community. These elements will be examined by architects and scholars who have impacted her work- with whom Marina Tabassum had the opportunity to interact and share her works. The book will take a look at Tabassum's architectural journey from its early beginnings to future projects and ongoing research. As an architect listed in 2020 by Prospect magazine as the third-greatest thinker for the COVID-19 era, her perhaps most well-known feat is the Bait Ur Rouf Mosque in ...
Women Architects in India
As the first inclusive study of how women have shaped the modern Indian built environment from the independence struggle until today, this book reveals a history that is largely unknown, not only in the West, but also in India. Educated in the 1930s and 1940s, the very first women architects designed everything from factories to museums in the post-independence period. The generations that followed are now responsible for metro systems, shopping malls, corporate headquarters, and IT campuses for a global India. But they also design schools, cultural centers, religious pilgrimage hotels, and wildlife sanctuaries. Pioneers in conserving historic buildings, these women also sustain and resurrec...
Walking from Dandi
In February 2019, Harmony Siganporia walked from Dandi to Ahmedabad, retracing the route of Gandhi's Salt March in reverse. She walked this route of just under 400 kilometres over 25 days, much as Gandhi and the original band of Marchers did in 1930. The 'Dandi Path' is the setting against which she explores the story of modern Gujarat, tracing the contours of the state's seismic shift towards espousing the narrative of vikas, abandoning in the process the possibility of a quest for swaraj. Gujarat has been described as the laboratory of Hindutva, and this book is an effort to explore this theme, even as it attempts to unearth whether there remain any competing epistemes to it; memories of the region's prior avatar as the setting against which Gandhi put into practice his experiments with truth, non-violent civil disobedience, and satyagraha. This project investigates what--if anything--remains of the Salt March in Gujarat's cultural memory, while also attempting to fill out the contours of the 'single story' of vikas with which the State has become so closely associated.
The New Asian House
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An Architecture of Independence The Making of Modern South Asia
An Architecture of Independence: The Making of Modern South Asia presents the work of four pioneering modern architects from the Indian subcontinent -- Charles Correa, Balkrishna Doshi, and Achyut Kanvinde of India, and Muzharul Islam of Bangladesh. An introduction by Kenneth Frampton and essays by the editors situate the work of these architects within the intellectual and aesthetic traditions of the subcontinent. Also included are statements by the architects and documentation of 27 projects, chosen to give a sense of the strategies they have developed for undertakings us diverse as private houses, settlements, major institutional buildings, and even a gallery devoted to the work of one artist. Each of the four has also played a major role in creating the contemporary architectural culture of South Asia, through teaching and influence on important government and cultural policies. Each represents a model of the architect as engaged artist, intellectual, and citizen.
Origami Odyssey
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